Do Re MiC D E

Black Narcissus

Henderson Joe4/4waltz
Cm7/A♭
Cm7/A♭
Cm7/A♭
C♭maj7♯11
A♯m7/F♯
A♯m7/F♯
A♯m7/F♯
Bmaj7♯11
Fmaj7♯11
Gmaj7♯11
Cmaj7♯11
Dmaj7♯11
Fmaj7♯11
Gmaj7♯11
Cmaj7♯11
Amaj7♯11
A♯maj7♯11
Cmaj
Dmaj7♯11

Chord Diagrams — Black Narcissus in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Cm7/A♭
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Bmaj7♯11
6frEADGBE111123
EADGBE11x234
7frEADGBE111234
11frEADGBE11x423
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
A♯m7/F♯
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Bmaj7♯11
6frEADGBE111123
EADGBE11x234
7frEADGBE111234
11frEADGBE11x423
Fmaj7♯11
5frEADGBE11x423
EADGBE12
EADGBExx213
8frEADGBE11x234
Gmaj7♯11
7frEADGBE11x423
EADGBE111133
3frEADGBE111234
10frEADGBE11x234
Cmaj7♯11
8frEADGBE111234
EADGBEx4231
3frEADGBE11x234
7frEADGBE111123
Dmaj7♯11
9frEADGBE111123
EADGBE11xx3
2frEADGBEx4231
5frEADGBE11x234
Amaj7♯11
9frEADGBE11x423
EADGBEx2134
4frEADGBE111123
6frEADGBE11x34
A♯maj7♯11
10frEADGBE11x423
EADGBE11x234
5frEADGBE111123
6frEADGBE111234
Cmaj
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4

Explore More

Black Narcissus in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C (ascending whole step), C to Cb (ascending unison), Cb to G# (descending major third), G# to A# (ascending whole step), A# to B (ascending half step), B to F (ascending tritone), F to G (ascending whole step), G to C (ascending perfect fourth), C to D (ascending whole step), D to A (descending perfect fourth), A to A# (ascending half step), A# to C (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

waltz4/4 · 24 bars · Form: ABC

Chords: A♯m7, Cm7/A♭, C♭maj7♯11, G♯m7, A♯m7/F♯, Bmaj7♯11, Fmaj7♯11, Gmaj7♯11, Cmaj7♯11, Dmaj7♯11, Amaj7♯11, A♯maj7♯11, Cmaj.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#