Do Re MiC D E

Along Came Betty

Benny Golson(1958)4/4swing

Chord Diagrams — Along Came Betty in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
D♯Maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
D7
10frEADGBE111132
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
Dm7
10frEADGBE111113
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
G♯7
11frEADGBE111134
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
D♯m7
11frEADGBE111114
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
G♯9
10frEADGBE221334
EADGBE11234x
4frEADGBE111324
5frEADGBExx2143
C♯Maj7
9frEADGBE1x342x
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
F7♭9♯5
F - A - C♯ - E♭ - G♭
A♯m7
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
D♯7♯5
9frEADGBE3241
EADGBExx1423
6frEADGBE11x432
11frEADGBE1x234x
D♯13
9frEADGBE11423
5frEADGBE44x213
6frEADGBE111134
11frEADGBE111234
G♯m7
9frEADGBE11x23x
4frEADGBE111113
6frEADGBE11x423
11frEADGBE111132
C♯7♭9
9frEADGBExx1324
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
Fm7♭5
8frEADGBEx1324x
EADGBE1x23x
EADGBE222xx1
11frEADGBE2134x
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
F♯7
9frEADGBE111134
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
C9
9frEADGBExx2143
EADGBE221334
7frEADGBE112344
7frEADGBE131214
G♯m7♭5
11frEADGBEx1324x
EADGBExx13
EADGBE2x341x
6frEADGBE222xx1
C♯7
9frEADGBE111132
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
F♯m7♭5
9frEADGBEx1324x
EADGBE2341
4frEADGBE222xx1
10frEADGBE11xx24
B7♯9
8frEADGBExx2134
EADGBEx2134x
5frEADGBE3241
7frEADGBE114432
EMaj9

Explore More

Along Came Betty in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to C (ascending tritone), C to G (descending perfect fourth), G to F (descending whole step), F to E (descending half step), E to D# (descending half step), D# to D (descending half step), D to D (ascending unison), D to G# (ascending tritone), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F (ascending major third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to F (descending perfect fourth), F to C (descending perfect fourth), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to G# (descending major third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to F# by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 34 bars · Form: A

Chords: F♯m7, C7, Gm7, F7♭9, E7, D♯Maj7, D7, Dm7, G♯7, D♯m7, G♯9, C♯Maj7, F7♭9♯5, A♯m7, D♯7♯5, D♯13, G♯m7, C♯7♭9, A♯7♭9, Fm7♭5, Cm7♭5, C♯m7, F♯7, C9, G♯m7♭5, C♯7, F♯m7♭5, B7♯9, EMaj9.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E