Do Re MiC D E

Along Came Betty

Benny Golson(1958)4/4swing

Chord Diagrams — Along Came Betty in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
A7♭9
6frEADGBE11xx23
EADGBE11x23
5frEADGBE111423
11frEADGBE11x234
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
GMaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C9
7frEADGBE112344
EADGBE221334
7frEADGBE131214
9frEADGBExx2143
FMaj7
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333
A7♭9♯5
A - C♯ - F - G - B♭
Dm7
10frEADGBE111113
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
G7♯5
10frEADGBE11x432
EADGBE4312
EADGBE1x234x
5frEADGBExx1423
G13
9frEADGBEx21334
EADGBE321
3frEADGBE11x234
3frEADGBE111324
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
D7♭9
8frEADGBE3241xx
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
Am7♭5
7frEADGBE222xx1
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
Em7♭5
7frEADGBEx1324x
EADGBE33312
8frEADGBE11xx24
11frEADGBE2x341x
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
A♯7
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x
E9
9frEADGBE11112
EADGBE213
EADGBE113x42
6frEADGBE221334
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
A♯m7♭5
8frEADGBE222xx1
EADGBEx1324x
EADGBE11xx24
5frEADGBE2x341x
D♯7♯9
8frEADGBE111x23
EADGBExx234
5frEADGBEx2134x
10frEADGBE2134xx
G♯Maj9

Explore More

Along Came Betty in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to E (ascending tritone), E to B (descending perfect fourth), B to A (descending whole step), A to G# (descending half step), G# to G (descending half step), G to F# (descending half step), F# to F# (ascending unison), F# to C (ascending tritone), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A (ascending major third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to A (descending perfect fourth), A to E (descending perfect fourth), E to F (ascending half step), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to C (descending major third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to A# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 34 bars · Form: A

Chords: A♯m7, E7, Bm7, A7♭9, G♯7, GMaj7, F♯7, F♯m7, C7, Gm7, C9, FMaj7, A7♭9♯5, Dm7, G7♯5, G13, Cm7, F7♭9, D7♭9, Am7♭5, Em7♭5, Fm7, A♯7, E9, Cm7♭5, F7, A♯m7♭5, D♯7♯9, G♯Maj9.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#