All The Things You Are in E
All The Things You Are in E
The E version of All The Things You Are: a masterclass in sequential modulation through Ab, C, Eb, and G tonal centers. Bebop Major scales unlock each new key center; Lydian colors the IV chords beautifully. Changes: C#m7 – F#m7 – B7 – EMaj7 – AMaj7 – D#7 – G#Maj7 – G#m7 – F#7 – BMaj7 – A#7 – D#Maj7 – Fm7 – Dm7 – G7 – CMaj7 – G#7#5 – Am7 – Gdim7 – G#7.
All The Things You Are in E
E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to G# (descending major third), G# to A (ascending half step), A to G (descending whole step), G to G# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C# by perfect fourth.
Scales for Improvisation
E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.