All Of Me in Re

All Of Me in Re

All Of Me in D — one of jazz's most accessible classics, with its memorable I-VI7-II7-V sequence. Mixolydian colors the secondary dominants; Major Blues adds soul; Bebop Major locks in the tonic. Changes: D6 – F#7 – B7 – Em7 – Bm7 – E7 – A7 – G6 – Gm6 – DMaj7 – F#m7.

All Of Me in Re

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to F# (ascending major third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to D (descending perfect fourth), D to F# (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to D by major third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.