All Of Me in E

All Of Me in E

All Of Me in E — one of jazz's most accessible classics, with its memorable I-VI7-II7-V sequence. Mixolydian colors the secondary dominants; Major Blues adds soul; Bebop Major locks in the tonic. Changes: EMaj7 – G#7 – C#7 – F#m – C#m – F#7 – F#m7 – B7 – A – Am – G#m7 – E6 – Gdim.

All Of Me in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to A (descending whole step), A to A (ascending unison), A to G# (descending half step), G# to E (descending major third), E to G (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to E by minor third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.