A Nightingale Sang in Berkeley Square in La#

Manning Sherwin()balladSlowly
A
A
B
B
A

Chord Diagrams — A Nightingale Sang in Berkeley Square in La# (Guitar)

A Nightingale Sang in Berkeley Square in La#

A Nightingale Sang in Berkeley Square in La#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G (descending minor third), G to D (descending perfect fourth), D to A# (descending major third), A# to D# (ascending perfect fourth), D# to D (descending half step), D to D# (ascending half step), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to G (descending perfect fourth), G to G (ascending unison), G to A# (ascending minor third), A# to D (ascending major third), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to F# (descending minor third), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 56 bars · Form: AABBA

Chords: La♯Maj7, Solm7, Rem7, La♯7, Re♯, Re7, Re♯m6, La♯, Fa7, Re♯m7, Sol♯7, Dom7, Fa7/aes, Rem7♭5, Sol7, Dom7♭5, Solm, Solm7/bes, La♯6, Re, Sim7, Mim7, La7, La7/c, Fa♯m7, Fadim7.

Scales for Improvisation La# bebop, La# bebop major.