Who composed A Nightingale Sang in Berkeley Square?

A Nightingale Sang in Berkeley Square was composed by Manning Sherwin. It is a ballad standard in 2/2 time. The original key is Eb; this page shows it transposed to D.

What key is A Nightingale Sang in Berkeley Square in?

The original key of A Nightingale Sang in Berkeley Square is Eb. The form is AABBA with 38 bars. This page shows the chart transposed to D.

What scales work for improvising over A Nightingale Sang in Berkeley Square?

Recommended scales for A Nightingale Sang in Berkeley Square in D: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

A Nightingale Sang in Berkeley Square in D

Manning Sherwin()balladSlowly

Do Re MiC D E

BPM: 120

Chord Diagrams — A Nightingale Sang in Berkeley Square in D (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

C♯7/c

A Nightingale Sang in Berkeley Square in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to B (descending minor third), B to F# (descending perfect fourth), F# to D (descending major third), D to G (ascending perfect fourth), G to F# (descending half step), F# to G (ascending half step), G to A (ascending whole step), A to G (descending whole step), G to C (ascending perfect fourth), C to E (ascending major third), E to D (descending whole step), D to F# (ascending major third), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to A# (descending minor third), A# to A (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 38 bars · Form: AABBA

Chords: DMaj7, Bm7, F♯m7, D7, G, F♯7, Gm6, A7, Gm7, C7, Em7, D6, F♯, D♯m7, G♯m7, C♯7, C♯7/c, A♯m7, Adim7.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D