F messiaen's mode #4 chords

All guitar chords for the F messiaen's mode #4 scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F messiaen's mode #4 scale diatonic chords

IG unknown
F - G - B
IIF♯ unknown
G♭ - B♭ - C
IIIG unknown
G - B - D♭
IVC unknown
B♭ - C - E
VC♯ unknown
B - D♭ - F
VIC unknown
C - E - G♭
VIIC♯ unknown
D♭ - F - G
VIIIF♯ unknown
E - G♭ - B♭

F messiaen's mode #4 scale seventh chords

IC♯ unknown
F - G - B - D♭
IIF♯ unknown
G♭ - B♭ - C - E
IIIG unknown
G - B - D♭ - F
IVC unknown
B♭ - C - E - G♭
VC♯ unknown
B - D♭ - F - G
VIC unknown
C - E - G♭ - B♭
VIIC♯ unknown
D♭ - F - G - B
VIIIC unknown
E - G♭ - B♭ - C

scale

Fretboard diagram

F messiaen's mode #4 scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the F messiaen's mode #4 scale on 6-string guitar with 22 frets. Notes: E, F, Gb, G, Bb, B, C, Db.EFGbGBbBCDbEFGbGBbBCDbBCDbEFGbGBbBCDbEFGbGGBbBCDbEFGbGBbBCDbEFEFGbGBbBCDbEFGbGBbBCBbBCDbEFGbGBbBCDbEFGbGEFGbGBbBCDbEFGbGBbBCDb1357911121315171921

F messiaen's mode #4 scale — chords and intervals

Harmonizing the F messiaen's mode #4 scale produces a disorienting chord family designed to eliminate the listener's sense of tonal direction. The chords of F messiaen's mode #4 are G unknown, Gb unknown, G unknown, C unknown, Db unknown, C unknown, Db unknown, Gb unknown. Messiaen called this the charm of impossibilities. The chord movements feel endlessly circular, creating spiritual wonder and a sense of infinite harmonic space. Commonly used in Contemporary Classical, Film Scores, Experimental. Notable players include Olivier Messiaen.

The F messiaen's mode #4 scale has the following degrees: 1 ♭2 2 4 ♯4 5 ♭6 7.

Intervals: H-H-3H-H-H-H-3H-H.

Diatonic chords: G unknown, Gb unknown, G unknown, C unknown, Db unknown, C unknown, Db unknown, Gb unknown.

DegreesChord
IG unknown
iiGb unknown
iiiG unknown
IVC unknown
VDb unknown
viC unknown
vii°Db unknown
8Gb unknown

Degree-by-Degree Analysis

The I chord (G unknown) is the tonic — the gravitational center of the key. The ii chord (Gb unknown) is the minor subdominant, commonly used to approach the V chord. The iii chord (G unknown) functions as a substitute for the I or vi. The IV chord (C unknown) is the subdominant — it adds motion and moderate tension. The V chord (Db unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C unknown) is the relative minor — it brings emotional color and depth. The vii° chord (Db unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F messiaen's mode #4 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F messiaen's mode #4 scale on guitar.

Related Scales

How to Use This Scale

Use for avant-garde composition and film scoring where traditional tonal direction should dissolve.

Explore F messiaen's mode #4 Further