A# messiaen's mode #4 chords

All guitar chords for the A# messiaen's mode #4 scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A♯ messiaen's mode #4 scale diatonic chords

IC unknown
A♯ - C - E
IIB unknown
B - D♯ - F
IIIC unknown
C - E - F♯
IVF unknown
D♯ - F - A
VF♯ unknown
E - F♯ - A♯
VIF unknown
F - A - B
VIIF♯ unknown
F♯ - A♯ - C
VIIIB unknown
A - B - D♯

A♯ messiaen's mode #4 scale seventh chords

IC unknown
A♯ - C - E - F♯
IIB unknown
B - D♯ - F - A
IIIC unknown
C - E - F♯ - A♯
IVF unknown
D♯ - F - A - B
VC unknown
E - F♯ - A♯ - C
VIF unknown
F - A - B - D♯
VIIF♯ unknown
F♯ - A♯ - C - E
VIIIF unknown
A - B - D♯ - F

scale

Fretboard diagram

A# messiaen's mode #4 scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the A# messiaen's mode #4 scale on 6-string guitar with 22 frets. Notes: E, F, F#, A, A#, B, C, D#.EFF#AA#BCD#EFF#AA#BCBCD#EFF#AA#BCD#EFF#AAA#BCD#EFF#AA#BCD#EFD#EFF#AA#BCD#EFF#AA#BCAA#BCD#EFF#AA#BCD#EFF#EFF#AA#BCD#EFF#AA#BC1357911121315171921

A# messiaen's mode #4 scale — chords and intervals

Harmonizing the A# messiaen's mode #4 scale produces a disorienting chord family designed to eliminate the listener's sense of tonal direction. The chords of A# messiaen's mode #4 are C unknown, B unknown, C unknown, F unknown, F# unknown, F unknown, F# unknown, B unknown. Messiaen called this the charm of impossibilities. The chord movements feel endlessly circular, creating spiritual wonder and a sense of infinite harmonic space. Commonly used in Contemporary Classical, Film Scores, Experimental. Notable players include Olivier Messiaen.

The A# messiaen's mode #4 scale has the following degrees: 1 ♭2 2 4 ♯4 5 ♭6 7.

Intervals: H-H-3H-H-H-H-3H-H.

Diatonic chords: C unknown, B unknown, C unknown, F unknown, F# unknown, F unknown, F# unknown, B unknown.

DegreesChord
IC unknown
iiB unknown
iiiC unknown
IVF unknown
VF# unknown
viF unknown
vii°F# unknown
8B unknown

Degree-by-Degree Analysis

The I chord (C unknown) is the tonic — the gravitational center of the key. The ii chord (B unknown) is the minor subdominant, commonly used to approach the V chord. The iii chord (C unknown) functions as a substitute for the I or vi. The IV chord (F unknown) is the subdominant — it adds motion and moderate tension. The V chord (F# unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F unknown) is the relative minor — it brings emotional color and depth. The vii° chord (F# unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A# messiaen's mode #4 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# messiaen's mode #4 scale on guitar.

Related Scales

How to Use This Scale

Use for avant-garde composition and film scoring where traditional tonal direction should dissolve.

Explore A# messiaen's mode #4 Further