D# altered chords

All guitar chords for the D# altered scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D♯ altered scale diatonic chords

IE♭ dim
EADGBExx12x3
4frEADGBEx41x236frEADGBEx1243x9frEADGBE31x42x
IIE minor
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
IIIE♯# minor
E♯# - A - C♯
IVG aug
EADGBE321x
3frEADGBE1x423x4frEADGBE11xx2x8frEADGBE11x32x
VA major
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
VIB major
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
VIIC♯ dim
EADGBEx41x23
4frEADGBEx1243x7frEADGBE31x42x11frEADGBExx12x3

D♯ altered scale seventh chords

IE♭ m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
IIE mmaj7
EADGBE21
EADGBE113424frEADGBE11x42x7frEADGBE111423
IIIE♯# m7
E♯# - A - C♯ - E
IVG major seventh flat sixth
G - B - D♯ - E♯#
VA 7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
VIB 7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
VIIC♯ m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1

scale

Fretboard diagram

D# altered scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the D# altered scale on 6-string guitar with 22 frets. Notes: E, F#, G, A, B, C#, D#.EF#GABC#D#EF#GABC#BC#D#EF#GABC#D#EF#GAGABC#D#EF#GABC#D#ED#EF#GABC#D#EF#GABABC#D#EF#GABC#D#EF#GEF#GABC#D#EF#GABC#1357911121315171921

D# altered scale — chords and intervals

Harmonizing the D# altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of D# altered are D# diminished, E minor, E## minor, G augmented, A major, B major, C# diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The D# altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: D# diminished, E minor, E## minor, G augmented, A major, B major, C# diminished.

DegreesChord
ID# diminished
iiE minor
iiiE## minor
IVG augmented
VA major
viB major
vii°C# diminished

Degree-by-Degree Analysis

The I chord (D# diminished) is the tonic — the gravitational center of the key. The ii chord (E minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (E## minor) functions as a substitute for the I or vi. The IV chord (G augmented) is the subdominant — it adds motion and moderate tension. The V chord (A major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (B major) is the relative minor — it brings emotional color and depth. The vii° chord (C# diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# altered scale on guitar.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View D# Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

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