A# altered chords

All guitar chords for the A# altered scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A♯ altered scale diatonic chords

IB♭ dim
EADGBEx1243x
4frEADGBE31x42x8frEADGBExx12x311frEADGBEx41x23
IIB minor
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
IIIB♯# minor
B♯# - E - G♯
IVD aug
EADGBExx231
3frEADGBE11x32x7frEADGBE11432x10frEADGBE1x423x
VE major
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
VIF♯ major
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
VIIA♭ dim
EADGBE31x42x
6frEADGBExx12x39frEADGBEx41x2311frEADGBEx1243x

A♯ altered scale seventh chords

IB♭ m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
IIB mmaj7
EADGBEx132
EADGBE1114237frEADGBE1111329frEADGBE11x342
IIIB♯# m7
B♯# - E - G♯ - B
IVD major seventh flat sixth
D - F♯ - A♯ - B♯#
VE 7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
VIF♯ 7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
VIIA♭ m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x

scale

Fretboard diagram

A# altered scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the A# altered scale on 6-string guitar with 22 frets. Notes: E, F#, G#, A#, B, C#, D.EF#G#A#BC#DEF#G#A#BC#DBC#DEF#G#A#BC#DEF#G#G#A#BC#DEF#G#A#BC#DEDEF#G#A#BC#DEF#G#A#BA#BC#DEF#G#A#BC#DEF#EF#G#A#BC#DEF#G#A#BC#D1357911121315171921

A# altered scale — chords and intervals

Harmonizing the A# altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of A# altered are A# diminished, B minor, B## minor, D augmented, E major, F# major, G# diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The A# altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: A# diminished, B minor, B## minor, D augmented, E major, F# major, G# diminished.

DegreesChord
IA# diminished
iiB minor
iiiB## minor
IVD augmented
VE major
viF# major
vii°G# diminished

Degree-by-Degree Analysis

The I chord (A# diminished) is the tonic — the gravitational center of the key. The ii chord (B minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (B## minor) functions as a substitute for the I or vi. The IV chord (D augmented) is the subdominant — it adds motion and moderate tension. The V chord (E major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F# major) is the relative minor — it brings emotional color and depth. The vii° chord (G# diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A# altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# altered scale on guitar.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View A# Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

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