C composite blues chords

All guitar chords for the C composite blues scale

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Originalii–V–ISec. Dom.
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Fretboard diagram

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C composite blues scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the C composite blues scale on 6-string guitar with 22 frets. Notes: E, F, Gb, G, A, Bb, C, D, Eb.EFGbGABbCDEbEFGbGABbCDCDEbEFGbGABbCDEbEFGbGAGABbCDEbEFGbGABbCDEbEFDEbEFGbGABbCDEbEFGbGABbCABbCDEbEFGbGABbCDEbEFGbGEFGbGABbCDEbEFGbGABbCD1357911121315171921

C composite blues scale — chords and intervals

Harmonizing the C composite blues scale produces a comprehensive jazz chord family that merges major and minor blues structures into a single, flexible harmonic palette. The chords of C composite blues are C (1-♭3-4), D (1-2-3), Eb (1-2-3), Gb minor seventh, G minor seventh, Gb diminished, G minor, A diminished, Bb (1-3-♭5). The nine chords allow improvisers to freely mix happy and gritty chord colors over dominant harmony. This chord family is the ultimate toolkit for jazz-blues comping, providing every shade between major and minor. Commonly used in Jazz, Blues, Fusion, Funk. Notable players include John Scofield, Robben Ford, Larry Carlton.

The C composite blues scale has the following degrees: 1 2 ♭3 3 4 ♭5 5 6 ♭7.

Intervals: W-H-H-H-H-H-W-H-W.

Diatonic chords: C (1-♭3-4), D (1-2-3), Eb (1-2-3), Gb minor seventh, G minor seventh, Gb diminished, G minor, A diminished, Bb (1-3-♭5).

DegreesChord
IC (1-♭3-4)
iiD (1-2-3)
iiiEb (1-2-3)
IVGb minor seventh
VG minor seventh
viGb diminished
vii°G minor
8A diminished
9Bb (1-3-♭5)

Degree-by-Degree Analysis

The I chord (C (1-♭3-4)) is the tonic — the gravitational center of the key. The ii chord (D (1-2-3)) is the minor subdominant, commonly used to approach the V chord. The iii chord (Eb (1-2-3)) functions as a substitute for the I or vi. The IV chord (Gb minor seventh) is the subdominant — it adds motion and moderate tension. The V chord (G minor seventh) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Gb diminished) is the relative minor — it brings emotional color and depth. The vii° chord (G minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C composite blues scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C composite blues scale on guitar.

Related Scales

How to Use This Scale

Use over dominant 7th chords in blues and jazz-blues. Contains both major and minor 3rds, allowing fluid switching between bright and dark.

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