A♯ composite blues scale diatonic chords
A♯ composite blues scale seventh chords
scale
Fretboard diagram
A# composite blues scale — chords and intervals
Harmonizing the A# composite blues scale produces a comprehensive jazz chord family that merges major and minor blues structures into a single, flexible harmonic palette. The chords of A# composite blues are A# unknown, C unknown, C# unknown, E minor seventh, F minor seventh, E diminished, F minor, G diminished, G# unknown. The nine chords allow improvisers to freely mix happy and gritty chord colors over dominant harmony. This chord family is the ultimate toolkit for jazz-blues comping, providing every shade between major and minor. Commonly used in Jazz, Blues, Fusion, Funk. Notable players include John Scofield, Robben Ford, Larry Carlton.
The A# composite blues scale has the following degrees: 1 2 ♭3 3 4 ♭5 5 6 ♭7.
Intervals: W-H-H-H-H-H-W-H-W.
Diatonic chords: A# unknown, C unknown, C# unknown, E minor seventh, F minor seventh, E diminished, F minor, G diminished, G# unknown.
| Degrees | Chord |
|---|---|
| I | A# unknown |
| ii | C unknown |
| iii | C# unknown |
| IV | E minor seventh |
| V | F minor seventh |
| vi | E diminished |
| vii° | F minor |
| 8 | G diminished |
| 9 | G# unknown |
Degree-by-Degree Analysis
The I chord (A# unknown) is the tonic — the gravitational center of the key. The ii chord (C unknown) is the minor subdominant, commonly used to approach the V chord. The iii chord (C# unknown) functions as a substitute for the I or vi. The IV chord (E minor seventh) is the subdominant — it adds motion and moderate tension. The V chord (F minor seventh) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E diminished) is the relative minor — it brings emotional color and depth. The vii° chord (F minor) is the diminished — the most tense, rarely used alone, usually leading to the I.
This page focuses on the harmonic content — the chords built from each degree of the A# composite blues scale. For fretboard patterns and fingering guides, see the scale page.
Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# composite blues scale on guitar.
Related Scales
How to Use This Scale
Use over dominant 7th chords in blues and jazz-blues. Contains both major and minor 3rds, allowing fluid switching between bright and dark.