Do Re MiC D E

Stand By Your Man

Tammy Wynette- Billy Sherrill4/4country♩= 105
A♯/F♯
F/E
C7/F♯
C7/G♯
%
%
Gm/F♯
F/B
F/C♯
%
%
%
C7/F♯
C7/G♯
%
%
Gm/F♯
F/B
F/C♯
%
F/E

Chord Diagrams — Stand By Your Man in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
A♯/F♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
F/E
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
C7/F♯
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
C7/G♯
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
Gm/F♯
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
F/B
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F/C♯
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132

Explore More

Stand By Your Man in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to C (descending perfect fourth), C to C (ascending unison), C to C (ascending unison), C to G (descending perfect fourth), G to G (ascending unison), G to F (descending whole step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to G (descending minor third), G to A (ascending whole step), A to A (ascending unison), A to D (ascending perfect fourth), D to G (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F by whole step.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

country4/4 · 69 bars · Form: AB

Chords: F, A♯/F♯, F/E, C7, C7/F♯, C7/G♯, Gm/F♯, Gm, F/B, F/C♯, A♯, G7, A7, Am, D7, Gm7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F