Do Re MiC D E

Stand By Your Man

Tammy Wynette- Billy Sherrill4/4country♩= 105
D/F♯
A/E
E7/F♯
E7/G♯
%
%
Bm/F♯
A/B
A/C♯
%
%
%
E7/F♯
E7/G♯
%
%
Bm/F♯
A/B
A/C♯
%
A/E

Chord Diagrams — Stand By Your Man in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
D/F♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
A/E
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7/F♯
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7/G♯
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Bm/F♯
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
A/B
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
A/C♯
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
D
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
C♯m
6frEADGBE1132x4
EADGBEx4213x
4frEADGBE111342
9frEADGBE111134
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423

Explore More

Stand By Your Man in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to A (descending perfect fourth), A to E (descending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to B (descending perfect fourth), B to B (ascending unison), B to A (descending whole step), A to A (ascending unison), A to D (ascending perfect fourth), D to B (descending minor third), B to C# (ascending whole step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

country4/4 · 69 bars · Form: AB

Chords: A, D/F♯, A/E, E7, E7/F♯, E7/G♯, Bm/F♯, Bm, A/B, A/C♯, D, B7, C♯7, C♯m, F♯7, Bm7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A