Fa Super Mario Bros Cadence
bVI – bVII – I progression in Fa major
Fa Super Mario Bros Cadence — bVI – bVII – I
The Mario Cadence (bVI–bVII–I) is the iconic chord progression from the Super Mario Bros. video game's level-complete fanfare, composed by Koji Kondo. In F, the progression is Db – Eb – F. It borrows two chords (bVI and bVII) from the parallel minor before resolving triumphantly to the major I chord. Minor Pentatonic suits the borrowed chords; Mixolydian bridges them toward the tonic. The Minor Blues scale adds grit if the context calls for it. With seventh voicings (DbMaj7 – Eb7 – FMaj7), the cinematic lift becomes weightier and more dramatic.
Playing in Fa major
F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.
Voice Leading
The bass line moves through Db to Eb (ascending whole step), Eb to F (ascending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to Db by major third.
Capo Transposition
To play in F using familiar open chords: capo 1 with open E shapes; capo 3 with open D shapes; capo 5 with open C shapes. Choose the capo position that gives you the voicings you prefer — lower capo positions produce a fuller sound, while higher positions create a brighter, mandolin-like timbre.
Scales for Soloing
F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.
Strumming Pattern
Use D-DU-UDU at 100-120 BPM for a standard pop strum. Accent beats 2 and 4 for a backbeat feel. Vary dynamics between verse (lighter) and chorus (stronger) to build energy.