Re Jazz Turnaround
I – vi – ii – V progression in Re major
Re Jazz Turnaround — I – vi – ii – V
The D I–vi–ii–V turnaround (D – Bm – Em – A) moves through the circle of fourths — a harmonic engine that links jazz, doo-wop, and early rock. Dorian mode fits over the ii chord while Mixolydian handles the V; the Bebop Major scale threads chromatic passing tones over the I. With seventh voicings (DMaj7 – Bm7 – Em7 – A7), this becomes the standard jazz rhythm-changes turnaround.
Playing in Re major
D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to D by perfect fourth.
Capo Transposition
To play in D using familiar open chords: capo 2 with open C shapes; capo 5 with open A shapes; capo 7 with open G shapes. Choose the capo position that gives you the voicings you prefer — lower capo positions produce a fuller sound, while higher positions create a brighter, mandolin-like timbre.
Scales for Soloing
D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.
Strumming Pattern
Use Freddie Green-style comping: short, muted chord stabs on beats 2 and 4 at 120-160 BPM. Keep the chords tight and percussive, lifting your fretting hand slightly after each attack to control sustain.