Sol Andalusian Cadence
i – VII – VI – V progression in Sol minor
Sol Andalusian Cadence — i – VII – VI – V
The G Andalusian Cadence (Gm – F – Eb – D) descends through i–VII–VI–V using Phrygian Dominant and Harmonic Minor scales — the harmonic foundation of Flamenco and Spanish classical music. The Double Harmonic Major scale adds extra exotic color over the major V chord. With seventh voicings (Gm7 – F7 – EbMaj7 – D7), the tension between ancient modal color and tonal resolution deepens.
Playing in Sol minor
G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through G to F (descending whole step), F to Eb (descending whole step), Eb to D (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G by perfect fourth.
Capo Transposition
To play in G using familiar open chords: capo 3 with open E shapes; capo 5 with open D shapes; capo 7 with open C shapes. Choose the capo position that gives you the voicings you prefer — lower capo positions produce a fuller sound, while higher positions create a brighter, mandolin-like timbre.
Scales for Soloing
G minor pentatonic is your safest starting point because all five notes are chord tones or stable tensions within the natural minor harmony. When a dominant seventh chord appears, switch briefly to G Dorian or harmonic minor to capture the raised 6th or 7th that the chord implies.
Strumming Pattern
Use D-DU-UDU at 100-120 BPM for a standard pop strum. Accent beats 2 and 4 for a backbeat feel. Vary dynamics between verse (lighter) and chorus (stronger) to build energy.