Do Re MiC D E

Vidro E Corte

Nascimento Milton4/4pop-ballad

Chord Diagrams — Vidro E Corte in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
A69
4frEADGBE111234
EADGBE11x34
6frEADGBEx22134
11frEADGBE11x234
Gmaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
A/B
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C♯7sus4
6frEADGBExxx123
EADGBE11x234
4frEADGBE111134
9frEADGBE111134
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
G♯m7♭5
6frEADGBE222xx1
EADGBExx13
EADGBE2x341x
11frEADGBEx1324x
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
Bm/C
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
E
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
F♯
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
Dmaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
G/C
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
Am6/D
7frEADGBE111x32
EADGBEx2314
4frEADGBE2x1334
5frEADGBE111234
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
D69
9frEADGBE111234
2frEADGBEx431
4frEADGBE11x234
11frEADGBEx22134
E/A
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314

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Vidro E Corte in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A (descending whole step), A to G (descending whole step), G to C# (ascending tritone), C# to C (descending half step), C to A (descending minor third), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to D (descending major third), D to G (ascending perfect fourth), G to A (ascending whole step), A to B (ascending whole step), B to D (ascending minor third), D to E (ascending whole step), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop-ballad4/4 · 41 bars · Form: AB

Chords: Bm7, A69, Gmaj7, C♯m7♭5, C7, A/B, D, C♯7sus4, F♯7, G♯m7♭5, F♯7sus4, Bm/C, E, F♯, Dmaj7, G/C, Am6/D, B7, D69, E/A, Em7.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B