Do Re MiC D E

Vidro E Corte

Nascimento Milton4/4pop-ballad

Chord Diagrams — Vidro E Corte in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
G69
4frEADGBEx22134
EADGBE1
EADGBE111234
9frEADGBE11x234
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
G/B
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
B7sus4
EADGBEx123
2frEADGBE111134
4frEADGBE1122xx
7frEADGBE111134
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
F♯m7♭5
EADGBE2341
4frEADGBE222xx1
9frEADGBEx1324x
10frEADGBE11xx24
E7sus4
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
Am/C
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
E
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
F/C
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
Gm6/D
EADGBE2x1344
3frEADGBE111234
5frEADGBE111x32
8frEADGBE11x324
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
C69
EADGBE11x334
3frEADGBEx134
7frEADGBE111234
9frEADGBEx22134
D/A
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113

Explore More

Vidro E Corte in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to F (descending whole step), F to B (ascending tritone), B to A# (descending half step), A# to G (descending minor third), G to C (ascending perfect fourth), C to B (descending half step), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to E (descending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to E (ascending whole step), E to C (descending major third), C to F (ascending perfect fourth), F to G (ascending whole step), G to A (ascending whole step), A to C (ascending minor third), C to D (ascending whole step), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop-ballad4/4 · 41 bars · Form: AB

Chords: Am7, G69, Fmaj7, Bm7♭5, A♯7, G/B, C, B7sus4, E7, F♯m7♭5, E7sus4, Am/C, D, E, Cmaj7, F/C, Gm6/D, A7, C69, D/A, Dm7.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A