Do Re MiC D E

Outra Vez

Jobim Antonio-Carlos4/4bossa-nova

Chord Diagrams — Outra Vez in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Amaj9
4frEADGBE11243
EADGBE11x34
5frEADGBEx2314
11frEADGBE22143x
A♯7♯9
6frEADGBE114432
EADGBEx123x
7frEADGBExx2134
12frEADGBEx2134x
Cdim7
7frEADGBE112x3x
EADGBExx1324
EADGBE11x234
10frEADGBE11xx34
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
Dmaj9
7frEADGBEx2314
2frEADGBE1111x4
4frEADGBEx2143x
10frEADGBE11x234
G9
9frEADGBE221334
EADGBE31
EADGBE11234x
3frEADGBE111324
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
Fm9
6frEADGBEx21344
EADGBE111134
EADGBEx1234
11frEADGBE21344
A♯9
6frEADGBE111324
EADGBEx1234
5frEADGBE11234x
12frEADGBEx21333
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C♯m/D
6frEADGBE1132x4
EADGBEx4213x
4frEADGBE111342
9frEADGBE111134
A♯m7♭5
8frEADGBE222xx1
EADGBEx1324x
EADGBE11xx24
5frEADGBE2x341x
Am6
7frEADGBE111x32
EADGBEx2314
4frEADGBE2x1334
5frEADGBE111234
Emaj9/B
6frEADGBEx2143x
EADGBE3124
EADGBE111234
9frEADGBE11xx34
Gdim7
5frEADGBExx1324
EADGBE31x42
EADGBE3x142
3frEADGBE111234
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
B9
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
8frEADGBExx2143
Emaj9
EADGBE3124
EADGBE111234
6frEADGBEx2143x
9frEADGBE11xx34
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
E7♭9
EADGBE312
4frEADGBE1134
6frEADGBE11x234
10frEADGBE3241xx
Gmaj9
EADGBE21
EADGBE111243
3frEADGBExx2314
9frEADGBEx2143x
Fmaj9
EADGBExx2314
EADGBE132
7frEADGBEx2143x
10frEADGBE11xx34
Bm9
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234
D♯9♯5
EADGBE111234
5frEADGBEx21334
9frEADGBE42x31
10frEADGBE11234x
A♯9♯11
5frEADGBE11123x
EADGBEx123
8frEADGBExx1234
12frEADGBE11x234
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1

Explore More

Outra Vez in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A# (ascending half step), A# to C (ascending whole step), C to B (descending half step), B to E (ascending perfect fourth), E to C# (descending minor third), C# to E (ascending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to A (descending half step), A to E (descending perfect fourth), E to G (ascending minor third), G to F# (descending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to E (descending whole step), E to G (ascending minor third), G to F (descending whole step), F to B (ascending tritone), B to D# (ascending major third), D# to A# (descending perfect fourth), A# to A (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 148 bars · Form: ABC

Chords: Amaj9, A♯7♯9, Cdim7, Bm7, E7, C♯m7, Em7, A7, Dmaj9, G9, Cm7, Fm9, A♯9, D♯m7♭5, G♯7, C♯m/D, A♯m7♭5, Am6, Emaj9/B, Gdim7, F♯m9, B9, Emaj9, F♯7, E7♭9, Gmaj9, Fmaj9, Bm9, D♯9♯5, A♯9♯11, Amaj7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A