Do Re MiC D E

Outra Vez

Jobim Antonio-Carlos4/4bossa-nova

Chord Diagrams — Outra Vez in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯maj9
5frEADGBE11243x
EADGBE1113x
3frEADGBE111143
6frEADGBE112234
B7♯9
5frEADGBE3241
EADGBEx2134x
7frEADGBE114432
8frEADGBExx2134
C♯dim7
3frEADGBE11x234
EADGBExx1324
8frEADGBE112x3x
11frEADGBExx1324
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
G♯9
EADGBE11234x
4frEADGBE111324
5frEADGBExx2143
10frEADGBE221334
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
B9
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
8frEADGBExx2143
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
Dm/D
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
A♯m6
EADGBEx13x24
3frEADGBEx2314x
5frEADGBE2x1334
6frEADGBE111234
Fmaj9/B
EADGBExx2314
EADGBE132
7frEADGBEx2143x
10frEADGBE11xx34
G♯dim7
EADGBExx12
EADGBE112x34
6frEADGBExx1324
10frEADGBE111234
Gm9
EADGBE2341
3frEADGBE111134
6frEADGBE11xx2
8frEADGBEx21344
C9
EADGBE221334
7frEADGBE112344
7frEADGBE131214
9frEADGBExx2143
Fmaj9
EADGBExx2314
EADGBE132
7frEADGBEx2143x
10frEADGBE11xx34
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
F7♭9
EADGBE111423
EADGBE11xx23
7frEADGBE11x234
11frEADGBE3241xx
G♯maj9
EADGBE1111x4
3frEADGBE111243
4frEADGBE113224
10frEADGBE22143x
F♯maj9
EADGBE111243
EADGBE11x234
3frEADGBExx2143
8frEADGBE22143x
Cm9
EADGBEx21344
EADGBEx1243
6frEADGBEx13244
8frEADGBE111134
E9♯5
EADGBE3142
4frEADGBE11234
6frEADGBEx21334
9frEADGBE11123
B9♯11
EADGBE111x23
EADGBE11x234
6frEADGBE2x341x
9frEADGBExx1234
A♯maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x

Explore More

Outra Vez in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to B (ascending half step), B to C# (ascending whole step), C# to C (descending half step), C to F (ascending perfect fourth), F to D (descending minor third), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to B (descending minor third), B to A# (descending half step), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G (ascending whole step), G to F (descending whole step), F to G# (ascending minor third), G# to F# (descending whole step), F# to C (ascending tritone), C to E (ascending major third), E to B (descending perfect fourth), B to A# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 148 bars · Form: ABC

Chords: A♯maj9, B7♯9, C♯dim7, Cm7, F7, Dm7, Fm7, A♯7, D♯maj9, G♯9, C♯m7, F♯m9, B9, Em7♭5, A7, Dm/D, Bm7♭5, A♯m6, Fmaj9/B, G♯dim7, Gm9, C9, Fmaj9, G7, F7♭9, G♯maj9, F♯maj9, Cm9, E9♯5, B9♯11, A♯maj7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#