Do Re MiC D E

A Rã

João Donato - Caetano Veloso4/4baião
E13
E13
E13
E13
E13
E13
E13
E13
E13
E13
G13
C♯13
C♯7♯5
F♯7♯5
F♯7♭13
E13
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Chord Diagrams — A Rã in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
G13
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
C♯7♯5
4frEADGBE11x432
EADGBEx4321
7frEADGBE431x2
9frEADGBE1x234x
F♯7♯5
4frEADGBExx1423
EADGBE1x234x
7frEADGBEx4312
9frEADGBE11x432
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Dm6
5frEADGBEx13x24
EADGBExx21
3frEADGBE11x324
9frEADGBE2x1333
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
F♯7♭13
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
B9
7frEADGBE111324
EADGBEx21334
4frEADGBE111432
8frEADGBExx2143
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
F♯maj7
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324

Explore More

A Rã in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to D (descending whole step), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to D (descending major third), D to D (ascending unison), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to F# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

baião4/4 · 32 bars · Form: AB

Chords: Bm9, E13, Dm9, G13, C♯13, C♯7♯5, F♯7♯5, Dmaj7, Dm6, C♯7, F♯7♭13, B9, Bm7, F♯maj7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A