Do Re MiC D E

A Rã

João Donato - Caetano Veloso4/4baião
F13
F13
F13
F13
F13
F13
F13
F13
F13
F13
G♯13
D13
D7♯5
G7♯5
G7♭13
F13
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Chord Diagrams — A Rã in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
D7♯5
5frEADGBE11x432
EADGBExx412
4frEADGBEx213x4
10frEADGBE1x234x
G7♯5
5frEADGBExx1423
EADGBE4312
EADGBE1x234x
10frEADGBE11x432
D♯maj7
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4
D♯m6
7frEADGBExx2314
EADGBE111x32
4frEADGBE11x324
11frEADGBE111234
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
G7♭13
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
C9
7frEADGBE112344
EADGBE221334
7frEADGBE131214
9frEADGBExx2143
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324

Explore More

A Rã in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to D (ascending unison), D to G (ascending perfect fourth), G to D# (descending major third), D# to D# (ascending unison), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

baião4/4 · 32 bars · Form: AB

Chords: Cm9, F13, D♯m9, G♯13, D13, D7♯5, G7♯5, D♯maj7, D♯m6, D7, G7♭13, C9, Cm7, Gmaj7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#