G todi raga chords

All ukulele chords for the G todi raga scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G todi raga scale diatonic chords

IG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
IIA♭ sus4
GCEA1234
3frGCEA22413frGCEA31246frGCEA1134
IIIB♭ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
IVE♭ unknown
C♯ - E♭ - G
VD unknown
D - F♯ - A♭
VIE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
VIIF♯ sus2
GCEA1124
4frGCEA11346frGCEA331211frGCEA1134

G todi raga scale seventh chords

IG mmaj7
GCEA231
3frGCEA11436frGCEA22149frGCEA2241
IIA♭ unknown
A♭ - C♯ - E♭ - G
IIIB♭ unknown
B♭ - D - F♯ - A♭
IVE♭ 7
GCEA1112
6frGCEA11128frGCEA132411frGCEA2314
VD unknown
D - F♯ - A♭ - C♯
VIE♭ maj7
3frGCEA1113
5frGCEA43216frGCEA11238frGCEA1234
VIIC♯ unknown
F♯ - A♭ - C♯ - E♭

scale

Ukulele fretboard diagram

G todi raga scale — ukulele fretboard diagramInteractive fretboard diagram showing the G todi raga scale on ukulele with 15 frets. Notes: A#, C#, D, D#, F#, G, G#.A#C#DD#F#GG#A#F#GG#A#C#DD#F#GC#DD#F#GG#A#C#DD#GG#A#C#DD#F#GG#A#13579111213

G todi raga scale — ukulele chords and intervals

The harmonized G todi raga scale generates a meditative chord family associated with morning contemplation in Indian classical music. The chords from G todi raga are G minor, Ab suspended fourth, Bb augmented, Eb unknown, D unknown, Eb major, F# suspended second. The chord movements create a reflective, philosophical atmosphere. Use these harmonies for scoring scenes of introspection, dawn, and spiritual awakening. Commonly used in Indian Classical, World, Meditation, Film Scores. Notable players include Ravi Shankar, Nikhil Banerjee.

The G todi raga scale has the following degrees: 1 ♭2 ♭3 ♯4 5 ♭6 7.

Intervals: H-W-3H-H-H-3H-H.

Diatonic chords: G minor, Ab suspended fourth, Bb augmented, Eb unknown, D unknown, Eb major, F# suspended second.

DegreesChord
IG minor
iiAb suspended fourth
iiiBb augmented
IVEb unknown
VD unknown
viEb major
vii°F# suspended second

Degree-by-Degree Analysis

The I chord (G minor) is the tonic — the gravitational center of the key. The ii chord (Ab suspended fourth) is the minor subdominant, commonly used to approach the V chord. The iii chord (Bb augmented) functions as a substitute for the I or vi. The IV chord (Eb unknown) is the subdominant — it adds motion and moderate tension. The V chord (D unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Eb major) is the relative minor — it brings emotional color and depth. The vii° chord (F# suspended second) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G todi raga scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G todi raga scale on ukulele.

Related Scales

How to Use This Scale

Traditionally used over a drone (tanpura). In Western harmony, try over sustained root notes or minimal chord changes.

Explore G todi raga Further