G# todi raga chords

All ukulele chords for the G# todi raga scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G♯ todi raga scale diatonic chords

IA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
IIA sus4
GCEA23
2frGCEA12344frGCEA22414frGCEA3124
IIIB aug
GCEA231
GCEA22313frGCEA11244frGCEA1342
IVE unknown
D - E - G♯
VE♭ unknown
D♯ - G - A
VIE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
VIIG sus2
GCEA23
2frGCEA11245frGCEA11347frGCEA3312

G♯ todi raga scale seventh chords

IA♭ mmaj7
GCEA1342
4frGCEA11437frGCEA221410frGCEA2241
IIA unknown
A - D - E - G♯
IIIB unknown
B - D♯ - G - A
IVE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324
VE♭ unknown
D♯ - G - A - D
VIE maj7
GCEA132
4frGCEA11136frGCEA43217frGCEA1123
VIID unknown
G - A - D - E

scale

Ukulele fretboard diagram

G# todi raga scale — ukulele fretboard diagramInteractive fretboard diagram showing the G# todi raga scale on ukulele with 15 frets. Notes: A, B, D, D#, E, G, G#.ABDD#EGG#ABEGG#ABDD#EGDD#EGG#ABDD#GG#ABDD#EGG#A13579111213

G# todi raga scale — ukulele chords and intervals

The harmonized G# todi raga scale generates a meditative chord family associated with morning contemplation in Indian classical music. The chords from G# todi raga are G# minor, A suspended fourth, B augmented, E unknown, D# unknown, E major, G suspended second. The chord movements create a reflective, philosophical atmosphere. Use these harmonies for scoring scenes of introspection, dawn, and spiritual awakening. Commonly used in Indian Classical, World, Meditation, Film Scores. Notable players include Ravi Shankar, Nikhil Banerjee.

The G# todi raga scale has the following degrees: 1 ♭2 ♭3 ♯4 5 ♭6 7.

Intervals: H-W-3H-H-H-3H-H.

Diatonic chords: G# minor, A suspended fourth, B augmented, E unknown, D# unknown, E major, G suspended second.

DegreesChord
IG# minor
iiA suspended fourth
iiiB augmented
IVE unknown
VD# unknown
viE major
vii°G suspended second

Degree-by-Degree Analysis

The I chord (G# minor) is the tonic — the gravitational center of the key. The ii chord (A suspended fourth) is the minor subdominant, commonly used to approach the V chord. The iii chord (B augmented) functions as a substitute for the I or vi. The IV chord (E unknown) is the subdominant — it adds motion and moderate tension. The V chord (D# unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E major) is the relative minor — it brings emotional color and depth. The vii° chord (G suspended second) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# todi raga scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# todi raga scale on ukulele.

Related Scales

How to Use This Scale

Traditionally used over a drone (tanpura). In Western harmony, try over sustained root notes or minimal chord changes.

Explore G# todi raga Further