G# phrygian chords

All ukulele chords for the G# phrygian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G♯ phrygian scale diatonic chords

IA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
IIA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
IIIB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
IVC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342
VE♭ dim
GCEA132
5frGCEA42138frGCEA12439frGCEA1134
VIE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
VIIF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113

G♯ phrygian scale seventh chords

IA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111
IIA maj7
GCEA12
GCEA12345frGCEA24139frGCEA1113
IIIB 7
GCEA1112
4frGCEA13247frGCEA231411frGCEA1112
IVC♯ m7
GCEA123
GCEA11116frGCEA22139frGCEA1324
VE♭ m7♭5
GCEA1123
5frGCEA23148frGCEA123411frGCEA1132
VIE maj7
GCEA132
4frGCEA11136frGCEA43217frGCEA1123
VIIF♯ m7
GCEA1324
5frGCEA22139frGCEA111111frGCEA2213

scale

Ukulele fretboard diagram

G# phrygian scale — ukulele fretboard diagramInteractive fretboard diagram showing the G# phrygian scale on ukulele with 15 frets. Notes: A, B, C#, D#, E, F#, G#.ABC#D#EF#G#ABEF#G#ABC#D#EF#C#D#EF#G#ABC#D#G#ABC#D#EF#G#A13579111213

G# phrygian scale — ukulele chords and intervals

The harmonized G# phrygian scale creates a dark, brooding chord family defined by the bII major chord a half step above the tonic. This unique neighbor chord is the harmonic signature of Phrygian music. The chords of G# phrygian are G#m7, AMaj7, B7, C#m7, D#m7b5, EMaj7, F#m7. The i-bII oscillation is the foundation of Flamenco and metal's Phrygian sound. Use the bVII as a power chord passing tone and the bVI for dramatic descending bass lines. The overall chord family conveys tension, gravity, and dark passion. Commonly used in Flamenco, Metal, Djent, Middle Eastern. Notable players include Al Di Meola, Metallica, Meshuggah, Paco de Lucia.

The G# phrygian scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 ♭7.

Intervals: H-W-W-W-H-W-W.

Diatonic chords: G#m7, AMaj7, B7, C#m7, D#m7b5, EMaj7, F#m7.

DegreesChord
IG#m7
iiAMaj7
iiiB7
IVC#m7
VD#m7b5
viEMaj7
vii°F#m7

Degree-by-Degree Analysis

The I chord (G#m7) is the tonic — the gravitational center of the key. The ii chord (AMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (B7) functions as a substitute for the I or vi. The IV chord (C#m7) is the subdominant — it adds motion and moderate tension. The V chord (D#m7b5) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (EMaj7) is the relative minor — it brings emotional color and depth. The vii° chord (F#m7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# phrygian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# phrygian scale on ukulele.

phrygian is the 3rd mode of the Major scale. View G# Major scale

Related Scales

How to Use This Scale

Use over sus(b9), m7 chords in Phrygian contexts. Often played over a droning root note or power chord. The b2 → 1 resolution is the mode's signature move.

Explore G# phrygian Further