G# phrygian dominant chords

All ukulele chords for the G# phrygian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G♯ phrygian dominant scale diatonic chords

IA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114
IIA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
IIIC dim
2frGCEA4213
5frGCEA12436frGCEA11349frGCEA2431
IVC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342
VE♭ dim
GCEA132
5frGCEA42138frGCEA12439frGCEA1134
VIE aug
GCEA13
GCEA13423frGCEA22314frGCEA1124
VIIF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113

G♯ phrygian dominant scale seventh chords

IA♭ 7
GCEA1324
4frGCEA23148frGCEA111211frGCEA1112
IIA maj7
GCEA12
GCEA12345frGCEA24139frGCEA1113
IIIC dim7
GCEA1324
5frGCEA13248frGCEA132411frGCEA1324
IVC♯ mmaj7
GCEA124
4frGCEA11123frGCEA22416frGCEA1342
VE♭ m7♭5
GCEA1123
5frGCEA23148frGCEA123411frGCEA1132
VIE major seventh flat sixth
E - G♯ - C - D♯
VIIF♯ m7
GCEA1324
5frGCEA22139frGCEA111111frGCEA2213

scale

Ukulele fretboard diagram

G# phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the G# phrygian dominant scale on ukulele with 15 frets. Notes: A, C, C#, D#, E, F#, G#.ACC#D#EF#G#ACEF#G#ACC#D#EF#CC#D#EF#G#ACC#D#G#ACC#D#EF#G#A13579111213

G# phrygian dominant scale — ukulele chords and intervals

The harmonized G# phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from G# phrygian dominant are G# major, A major, C diminished, C# minor, D# diminished, E augmented, F# minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The G# phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: G# major, A major, C diminished, C# minor, D# diminished, E augmented, F# minor.

DegreesChord
IG# major
iiA major
iiiC diminished
IVC# minor
VD# diminished
viE augmented
vii°F# minor

Degree-by-Degree Analysis

The I chord (G# major) is the tonic — the gravitational center of the key. The ii chord (A major) is the minor subdominant, commonly used to approach the V chord. The iii chord (C diminished) functions as a substitute for the I or vi. The IV chord (C# minor) is the subdominant — it adds motion and moderate tension. The V chord (D# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E augmented) is the relative minor — it brings emotional color and depth. The vii° chord (F# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View G# Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Explore G# phrygian dominant Further