G# mixolydian chords

All ukulele chords for the G# mixolydian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G♯ mixolydian scale diatonic chords

IA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114
IIB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
IIIC dim
2frGCEA4213
5frGCEA12436frGCEA11349frGCEA2431
IVC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
VE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134
VIF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA1113
VIIF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132

G♯ mixolydian scale seventh chords

IA♭ 7
GCEA1324
4frGCEA23148frGCEA111211frGCEA1112
IIB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213
IIIC m7♭5
GCEA2314
5frGCEA12348frGCEA113211frGCEA1123
IVC♯ maj7
GCEA1113
4frGCEA11233frGCEA43216frGCEA1234
VE♭ m7
GCEA2213
6frGCEA11118frGCEA221311frGCEA1324
VIF m7
GCEA1324
4frGCEA22138frGCEA111110frGCEA2213
VIIF♯ maj7
2frGCEA2413
6frGCEA11138frGCEA43219frGCEA1123

scale

Ukulele fretboard diagram

G# mixolydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the G# mixolydian scale on ukulele with 15 frets. Notes: A#, C, C#, D#, F, F#, G#.A#CC#D#FF#G#A#CFF#G#A#CC#D#FF#CC#D#FF#G#A#CC#D#G#A#CC#D#FF#G#A#13579111213

G# mixolydian scale — ukulele chords and intervals

The harmonized G# mixolydian scale yields a chord family that combines major-key stability with a blues-inflected bVII chord. This flat seventh replaces the leading tone, creating a more relaxed, earthy harmonic feel. The chords of G# mixolydian are G#7, A#m7, Cm7b5, C#Maj7, D#m7, Fm7, F#Maj7. The I-bVII-IV progression drives classic rock anthems, while the I-bVII cadence provides a satisfying resolution without the pull of a dominant V. Mixolydian harmony is essential for blues-rock, Southern rock, and folk-influenced songwriting. Commonly used in Blues, Rock, Country, Folk, Funk. Notable players include Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan.

The G# mixolydian scale has the following degrees: 1 2 3 4 5 6 ♭7.

Intervals: W-W-H-W-W-H-W.

Diatonic chords: G#7, A#m7, Cm7b5, C#Maj7, D#m7, Fm7, F#Maj7.

DegreesChord
IG#7
iiA#m7
iiiCm7b5
IVC#Maj7
VD#m7
viFm7
vii°F#Maj7

Degree-by-Degree Analysis

The I chord (G#7) is the tonic — the gravitational center of the key. The ii chord (A#m7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Cm7b5) functions as a substitute for the I or vi. The IV chord (C#Maj7) is the subdominant — it adds motion and moderate tension. The V chord (D#m7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Fm7) is the relative minor — it brings emotional color and depth. The vii° chord (F#Maj7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# mixolydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# mixolydian scale on ukulele.

mixolydian is the 5th mode of the Major scale. View G# Major scale

Related Scales

How to Use This Scale

Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.

Explore G# mixolydian Further