G# lydian dominant chords

All ukulele chords for the G# lydian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G♯ lydian dominant scale diatonic chords

IA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114
IIB♭ major
GCEA1132
3frGCEA12435frGCEA113210frGCEA1114
IIIC dim
2frGCEA4213
5frGCEA12436frGCEA11349frGCEA2431
IVD dim
4frGCEA4213
7frGCEA12438frGCEA113411frGCEA2431
VE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134
VIF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA1113
VIIF♯ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124

G♯ lydian dominant scale seventh chords

IA♭ 7
GCEA1324
4frGCEA23148frGCEA111211frGCEA1112
IIB♭ 7
GCEA1112
3frGCEA13246frGCEA231410frGCEA1112
IIIC m7♭5
GCEA2314
5frGCEA12348frGCEA113211frGCEA1123
IVD m7♭5
GCEA1123
4frGCEA23147frGCEA123410frGCEA1132
VE♭ mmaj7
2frGCEA2214
5frGCEA22416frGCEA11128frGCEA1342
VIF m7
GCEA1324
4frGCEA22138frGCEA111110frGCEA2213
VIIF♯ major seventh flat sixth
F♯ - A♯ - D - F

scale

Ukulele fretboard diagram

G# lydian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the G# lydian dominant scale on ukulele with 15 frets. Notes: A#, C, D, D#, F, F#, G#.A#CDD#FF#G#A#CFF#G#A#CDD#FF#CDD#FF#G#A#CDD#G#A#CDD#FF#G#A#13579111213

G# lydian dominant scale — ukulele chords and intervals

The harmonized G# lydian dominant scale produces a bright, quirky chord family centered around a dominant seventh tonic with a raised fourth — the Acoustic chord. The chords from G# lydian dominant are G# major, A# major, C diminished, D diminished, D# minor, F minor, F# augmented. The I7-II vamp is the signature Lydian Dominant sound, used in jazz for non-resolving dominant passages. These chords create forward motion without traditional tension, ideal for fusion and progressive jazz. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny.

The G# lydian dominant scale has the following degrees: 1 2 3 ♯4 5 6 ♭7.

Intervals: W-W-W-H-W-H-W.

Diatonic chords: G# major, A# major, C diminished, D diminished, D# minor, F minor, F# augmented.

DegreesChord
IG# major
iiA# major
iiiC diminished
IVD diminished
VD# minor
viF minor
vii°F# augmented

Degree-by-Degree Analysis

The I chord (G# major) is the tonic — the gravitational center of the key. The ii chord (A# major) is the minor subdominant, commonly used to approach the V chord. The iii chord (C diminished) functions as a substitute for the I or vi. The IV chord (D diminished) is the subdominant — it adds motion and moderate tension. The V chord (D# minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F minor) is the relative minor — it brings emotional color and depth. The vii° chord (F# augmented) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# lydian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# lydian dominant scale on ukulele.

lydian dominant is the 4th mode of the Melodic Minor scale (Acoustic scale). View G# Melodic minor scale

Related Scales

How to Use This Scale

Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.

Explore G# lydian dominant Further