G# locrian chords

All ukulele chords for the G# locrian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G♯ locrian scale diatonic chords

IA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213
IIA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
IIIB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
IVC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342
VD major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
VIE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
VIIF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113

G♯ locrian scale seventh chords

IA♭ m7♭5
GCEA1234
4frGCEA11327frGCEA112310frGCEA2314
IIA maj7
GCEA12
GCEA12345frGCEA24139frGCEA1113
IIIB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213
IVC♯ m7
GCEA123
GCEA11116frGCEA22139frGCEA1324
VD maj7
GCEA1113
4frGCEA43215frGCEA11237frGCEA1234
VIE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324
VIIF♯ m7
GCEA1324
5frGCEA22139frGCEA111111frGCEA2213

scale

Ukulele fretboard diagram

G# locrian scale — ukulele fretboard diagramInteractive fretboard diagram showing the G# locrian scale on ukulele with 15 frets. Notes: A, B, C#, D, E, F#, G#.ABC#DEF#G#ABEF#G#ABC#DEF#C#DEF#G#ABC#DG#ABC#DEF#G#A13579111213

G# locrian scale — ukulele chords and intervals

The harmonized G# locrian scale generates the most unstable chord family of all the modes, with a diminished tonic chord that provides no sense of rest. This makes Locrian harmony a specialized tool for creating extreme tension. The chords of G# locrian are G#m7b5, AMaj7, Bm7, C#m7, DMaj7, E7, F#m7. In practice, Locrian chords are used over half-diminished passages in jazz rather than as a standalone key. The i°-bII movement creates a restless, searching quality useful for transitional sections and building suspense. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater.

The G# locrian scale has the following degrees: 1 ♭2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: H-W-W-H-W-W-W.

Diatonic chords: G#m7b5, AMaj7, Bm7, C#m7, DMaj7, E7, F#m7.

DegreesChord
IG#m7b5
iiAMaj7
iiiBm7
IVC#m7
VDMaj7
viE7
vii°F#m7

Degree-by-Degree Analysis

The I chord (G#m7b5) is the tonic — the gravitational center of the key. The ii chord (AMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Bm7) functions as a substitute for the I or vi. The IV chord (C#m7) is the subdominant — it adds motion and moderate tension. The V chord (DMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E7) is the relative minor — it brings emotional color and depth. The vii° chord (F#m7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# locrian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# locrian scale on ukulele.

locrian is the 7th mode of the Major scale. View G# Major scale

Related Scales

How to Use This Scale

Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.

Explore G# locrian Further