G# double harmonic lydian chords

All ukulele chords for the G# double harmonic lydian scale

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Harmony
Originalii–V–ISec. Dom.

G♯ double harmonic lydian scale diatonic chords

IA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114
IIA sus4
GCEA23
2frGCEA12344frGCEA22414frGCEA3124
IIIC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
IVE unknown
D - E - G♯
VE♭ unknown
D♯ - G - A
VIE aug
GCEA13
GCEA13423frGCEA22314frGCEA1124
VIIG sus2
GCEA23
2frGCEA11245frGCEA11347frGCEA3312

G♯ double harmonic lydian scale seventh chords

IA♭ maj7
GCEA1234
4frGCEA24138frGCEA111310frGCEA4321
IIA unknown
A - D - E - G♯
IIIC m6
GCEA1234
5frGCEA11328frGCEA112311frGCEA2314
IVC unknown
D - E - G♯ - C
VE♭ unknown
D♯ - G - A - D
VIE major seventh flat sixth
E - G♯ - C - D♯
VIID unknown
G - A - D - E

scale

Ukulele fretboard diagram

G# double harmonic lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the G# double harmonic lydian scale on ukulele with 15 frets. Notes: A, C, D, D#, E, G, G#.ACDD#EGG#ACEGG#ACDD#EGCDD#EGG#ACDD#GG#ACDD#EGG#A13579111213

G# double harmonic lydian scale — ukulele chords and intervals

Harmonizing the G# double harmonic lydian scale generates a majestic chord family that combines Byzantine exoticism with Lydian brightness. The chords of G# double harmonic lydian are G# major, A suspended fourth, C minor, E unknown, D# unknown, E augmented, G suspended second. These chords create an epic, otherworldly harmonic palette perfect for fantasy and science fiction scoring. The raised fourth adds a celestial quality to the already exotic Byzantine foundation. Commonly used in Film Scores, Fantasy, Progressive Metal. Notable players include Hans Zimmer, Opeth.

The G# double harmonic lydian scale has the following degrees: 1 ♭2 3 ♯4 5 ♭6 7.

Intervals: H-3H-W-H-H-3H-H.

Diatonic chords: G# major, A suspended fourth, C minor, E unknown, D# unknown, E augmented, G suspended second.

DegreesChord
IG# major
iiA suspended fourth
iiiC minor
IVE unknown
VD# unknown
viE augmented
vii°G suspended second

Degree-by-Degree Analysis

The I chord (G# major) is the tonic — the gravitational center of the key. The ii chord (A suspended fourth) is the minor subdominant, commonly used to approach the V chord. The iii chord (C minor) functions as a substitute for the I or vi. The IV chord (E unknown) is the subdominant — it adds motion and moderate tension. The V chord (D# unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E augmented) is the relative minor — it brings emotional color and depth. The vii° chord (G suspended second) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# double harmonic lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# double harmonic lydian scale on ukulele.

double harmonic lydian is the 4th mode of the Double Harmonic Major. View G# Double harmonic major scale

Related Scales

How to Use This Scale

Use over Maj7#11 chords in epic, fantasy-themed compositions. A specialized cinematic color.

Explore G# double harmonic lydian Further