G# composite blues chords

All ukulele chords for the G# composite blues scale

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Harmony
Originalii–V–ISec. Dom.
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Ukulele fretboard diagram

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G# composite blues scale — ukulele fretboard diagramInteractive fretboard diagram showing the G# composite blues scale on ukulele with 15 frets. Notes: A#, B, C, C#, D, D#, F, F#, G#.A#BCC#DD#FF#G#A#BCFF#G#A#BCC#DD#FF#CC#DD#FF#G#A#BCC#DD#G#A#BCC#DD#FF#G#A#13579111213

G# composite blues scale — ukulele chords and intervals

Harmonizing the G# composite blues scale produces a comprehensive jazz chord family that merges major and minor blues structures into a single, flexible harmonic palette. The chords of G# composite blues are G# (1-♭3-4), A# (1-2-3), B (1-2-3), D minor seventh, D# minor seventh, D diminished, D# minor, F diminished, F# (1-3-♭5). The nine chords allow improvisers to freely mix happy and gritty chord colors over dominant harmony. This chord family is the ultimate toolkit for jazz-blues comping, providing every shade between major and minor. Commonly used in Jazz, Blues, Fusion, Funk. Notable players include John Scofield, Robben Ford, Larry Carlton.

The G# composite blues scale has the following degrees: 1 2 ♭3 3 4 ♭5 5 6 ♭7.

Intervals: W-H-H-H-H-H-W-H-W.

Diatonic chords: G# (1-♭3-4), A# (1-2-3), B (1-2-3), D minor seventh, D# minor seventh, D diminished, D# minor, F diminished, F# (1-3-♭5).

DegreesChord
IG# (1-♭3-4)
iiA# (1-2-3)
iiiB (1-2-3)
IVD minor seventh
VD# minor seventh
viD diminished
vii°D# minor
8F diminished
9F# (1-3-♭5)

Degree-by-Degree Analysis

The I chord (G# (1-♭3-4)) is the tonic — the gravitational center of the key. The ii chord (A# (1-2-3)) is the minor subdominant, commonly used to approach the V chord. The iii chord (B (1-2-3)) functions as a substitute for the I or vi. The IV chord (D minor seventh) is the subdominant — it adds motion and moderate tension. The V chord (D# minor seventh) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D diminished) is the relative minor — it brings emotional color and depth. The vii° chord (D# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# composite blues scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# composite blues scale on ukulele.

Related Scales

How to Use This Scale

Use over dominant 7th chords in blues and jazz-blues. Contains both major and minor 3rds, allowing fluid switching between bright and dark.

Explore G# composite blues Further