G# balinese chords

All ukulele chords for the G# balinese scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G♯ balinese scale diatonic chords

IA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
IIA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
IIIB aug
GCEA231
GCEA22313frGCEA11244frGCEA1342
IVC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342
VE♭ unknown
D♯ - G - A
VIE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
VIIA unknown
G - A - C♯

G♯ balinese scale seventh chords

IA♭ mmaj7
GCEA1342
4frGCEA11437frGCEA221410frGCEA2241
IIA maj7
GCEA12
GCEA12345frGCEA24139frGCEA1113
IIIB unknown
B - D♯ - G - A
IVC♯ m7
GCEA123
GCEA11116frGCEA22139frGCEA1324
VE♭ unknown
D♯ - G - A - C♯
VIE maj7
GCEA132
4frGCEA11136frGCEA43217frGCEA1123
VIIA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112

scale

Ukulele fretboard diagram

G# balinese scale — ukulele fretboard diagramInteractive fretboard diagram showing the G# balinese scale on ukulele with 15 frets. Notes: A, B, C#, D#, E, G, G#.ABC#D#EGG#ABEGG#ABC#D#EGC#D#EGG#ABC#D#GG#ABC#D#EGG#A13579111213

G# balinese scale — ukulele chords and intervals

Harmonizing the G# balinese scale yields a dark, meditative chord set from the Gamelan tradition. The chords of G# balinese are G# minor, A major, B augmented, C# minor, D# unknown, E major, A unknown. These chords create a shimmering, Southeast Asian harmonic world that feels ancient and spiritual. Use them for cultural scoring or to add a haunting, non-Western harmonic flavor to contemporary music. Commonly used in Gamelan, World, Ambient, Film Scores. Notable players include Colin McPhee, Steve Reich.

The G# balinese scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 7.

Intervals: H-W-W-W-H-3H-H.

Diatonic chords: G# minor, A major, B augmented, C# minor, D# unknown, E major, A unknown.

DegreesChord
IG# minor
iiA major
iiiB augmented
IVC# minor
VD# unknown
viE major
vii°A unknown

Degree-by-Degree Analysis

The I chord (G# minor) is the tonic — the gravitational center of the key. The ii chord (A major) is the minor subdominant, commonly used to approach the V chord. The iii chord (B augmented) functions as a substitute for the I or vi. The IV chord (C# minor) is the subdominant — it adds motion and moderate tension. The V chord (D# unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E major) is the relative minor — it brings emotional color and depth. The vii° chord (A unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# balinese scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# balinese scale on ukulele.

Related Scales

How to Use This Scale

Use over drones and sustained bass notes. Traditional Gamelan music doesn't use chords — the scale is inherently melodic and interlocking.

Explore G# balinese Further