scale
Ukulele fretboard diagram
G# balinese scale — ukulele chords and intervals
Harmonizing the G# balinese scale yields a dark, meditative chord set from the Gamelan tradition. The chords of G# balinese are G# minor, A major, B augmented, C# minor, D# (1-3-♭5), E major, G (1-2-♭5). These chords create a shimmering, Southeast Asian harmonic world that feels ancient and spiritual. Use them for cultural scoring or to add a haunting, non-Western harmonic flavor to contemporary music. Commonly used in Gamelan, World, Ambient, Film Scores. Notable players include Colin McPhee, Steve Reich.
The G# balinese scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 7.
Intervals: H-W-W-W-H-3H-H.
Diatonic chords: G# minor, A major, B augmented, C# minor, D# (1-3-♭5), E major, G (1-2-♭5).
| Degrees | Chord |
|---|---|
| I | G# minor |
| ii | A major |
| iii | B augmented |
| IV | C# minor |
| V | D# (1-3-♭5) |
| vi | E major |
| vii° | G (1-2-♭5) |
Degree-by-Degree Analysis
The I chord (G# minor) is the tonic — the gravitational center of the key. The ii chord (A major) is the minor subdominant, commonly used to approach the V chord. The iii chord (B augmented) functions as a substitute for the I or vi. The IV chord (C# minor) is the subdominant — it adds motion and moderate tension. The V chord (D# (1-3-♭5)) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E major) is the relative minor — it brings emotional color and depth. The vii° chord (G (1-2-♭5)) is the diminished — the most tense, rarely used alone, usually leading to the I.
This page focuses on the harmonic content — the chords built from each degree of the G# balinese scale. For fretboard patterns and fingering guides, see the scale page.
Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# balinese scale on ukulele.
Related Scales
How to Use This Scale
Use over drones and sustained bass notes. Traditional Gamelan music doesn't use chords — the scale is inherently melodic and interlocking.