G# altered chords

All ukulele chords for the G# altered scale

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Harmony
Originalii–V–ISec. Dom.
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G♯ altered scale diatonic chords

IA♭ dim
GCEA1243
GCEA31415frGCEA243110frGCEA4213
IIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
IIIB minor
GCEA3111
2frGCEA31144frGCEA13425frGCEA3241
IVC aug
GCEA14
GCEA13423frGCEA42314frGCEA2114
VD major
GCEA123
2frGCEA11145frGCEA32117frGCEA1243
VIE major
GCEA142
GCEA23414frGCEA11147frGCEA4311
VIIF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243

G♯ altered scale seventh chords

IA♭ m7♭5
GCEA1234
4frGCEA13127frGCEA121310frGCEA2314
IIA mmaj7
GCEA1
GCEA13425frGCEA14138frGCEA2214
IIIB m7
GCEA1111
4frGCEA13227frGCEA132410frGCEA2213
IVC major seventh flat sixth
C - E - G♯ - B
VD 7
GCEA1112
5frGCEA12117frGCEA132410frGCEA2314
VIE 7
GCEA123
4frGCEA11127frGCEA12119frGCEA1324
VIIF♯ m7♭5
GCEA1312
5frGCEA12138frGCEA231411frGCEA1234

scale

Ukulele fretboard diagram

G# altered scale — ukulele fretboard diagramInteractive fretboard diagram showing the G# altered scale on ukulele with 15 frets. Notes: A, B, C, D, E, F#, G#.ABCDEF#G#ABCEF#G#ABCDEF#CDEF#G#ABCDG#ABCDEF#G#A13579111213

G# altered scale — ukulele chords and intervals

Harmonizing the G# altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of G# altered are G# diminished, A minor, B minor, C augmented, D major, E major, F# diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The G# altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: G# diminished, A minor, B minor, C augmented, D major, E major, F# diminished.

DegreesChord
IG# diminished
iiA minor
iiiB minor
IVC augmented
VD major
viE major
vii°F# diminished

Degree-by-Degree Analysis

The I chord (G# diminished) is the tonic — the gravitational center of the key. The ii chord (A minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (B minor) functions as a substitute for the I or vi. The IV chord (C augmented) is the subdominant — it adds motion and moderate tension. The V chord (D major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E major) is the relative minor — it brings emotional color and depth. The vii° chord (F# diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# altered scale on ukulele.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View G# Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

Explore G# altered Further