G phrygian chords

All ukulele chords for the G phrygian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G phrygian scale diatonic chords

IG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
IIA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114
IIIB♭ major
GCEA1132
3frGCEA12435frGCEA113210frGCEA1114
IVC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
VD dim
4frGCEA4213
7frGCEA12438frGCEA113411frGCEA2431
VIE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
VIIF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA1113

G phrygian scale seventh chords

IG m7
GCEA112
3frGCEA13246frGCEA221310frGCEA1111
IIA♭ maj7
GCEA1234
4frGCEA24138frGCEA111310frGCEA4321
IIIB♭ 7
GCEA1112
3frGCEA13246frGCEA231410frGCEA1112
IVC m7
GCEA1111
5frGCEA22138frGCEA132411frGCEA2213
VD m7♭5
GCEA1123
4frGCEA23147frGCEA123410frGCEA1132
VIE♭ maj7
3frGCEA1113
5frGCEA43216frGCEA11238frGCEA1234
VIIF m7
GCEA1324
4frGCEA22138frGCEA111110frGCEA2213

scale

Ukulele fretboard diagram

G phrygian scale — ukulele fretboard diagramInteractive fretboard diagram showing the G phrygian scale on ukulele with 15 frets. Notes: Bb, C, D, Eb, F, G, Ab.BbCDEbFGAbBbCFGAbBbCDEbFGCDEbFGAbBbCDEbGAbBbCDEbFGAbBb13579111213

G phrygian scale — ukulele chords and intervals

The harmonized G phrygian scale creates a dark, brooding chord family defined by the bII major chord a half step above the tonic. This unique neighbor chord is the harmonic signature of Phrygian music. The chords of G phrygian are Gm7, AbMaj7, Bb7, Cm7, Dm7b5, EbMaj7, Fm7. The i-bII oscillation is the foundation of Flamenco and metal's Phrygian sound. Use the bVII as a power chord passing tone and the bVI for dramatic descending bass lines. The overall chord family conveys tension, gravity, and dark passion. Commonly used in Flamenco, Metal, Djent, Middle Eastern. Notable players include Al Di Meola, Metallica, Meshuggah, Paco de Lucia.

The G phrygian scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 ♭7.

Intervals: H-W-W-W-H-W-W.

Diatonic chords: Gm7, AbMaj7, Bb7, Cm7, Dm7b5, EbMaj7, Fm7.

DegreesChord
IGm7
iiAbMaj7
iiiBb7
IVCm7
VDm7b5
viEbMaj7
vii°Fm7

Degree-by-Degree Analysis

The I chord (Gm7) is the tonic — the gravitational center of the key. The ii chord (AbMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Bb7) functions as a substitute for the I or vi. The IV chord (Cm7) is the subdominant — it adds motion and moderate tension. The V chord (Dm7b5) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (EbMaj7) is the relative minor — it brings emotional color and depth. The vii° chord (Fm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G phrygian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G phrygian scale on ukulele.

phrygian is the 3rd mode of the Major scale. View G Major scale

Related Scales

How to Use This Scale

Use over sus(b9), m7 chords in Phrygian contexts. Often played over a droning root note or power chord. The b2 → 1 resolution is the mode's signature move.

Explore G phrygian Further