G phrygian dominant chords

All ukulele chords for the G phrygian dominant scale

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Harmony
Originalii–V–ISec. Dom.
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G phrygian dominant scale diatonic chords

IG major
GCEA132
GCEA31212frGCEA31247frGCEA1114
IIA♭ major
GCEA1243
3frGCEA31213frGCEA31248frGCEA1114
IIIB dim
GCEA4213
4frGCEA12435frGCEA31418frGCEA2431
IVC minor
GCEA123
3frGCEA31113frGCEA31145frGCEA1342
VD dim
4frGCEA4213
7frGCEA12438frGCEA314111frGCEA2431
VIE♭ aug
GCEA321
GCEA32213frGCEA21144frGCEA1342
VIIF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA3111

G phrygian dominant scale seventh chords

IG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1211
IIA♭ maj7
GCEA1234
4frGCEA24138frGCEA111310frGCEA4321
IIIB dim7
GCEA1324
4frGCEA13247frGCEA132410frGCEA1324
IVC mmaj7
2frGCEA4221
GCEA21115frGCEA13428frGCEA1312
VD m7♭5
GCEA1213
4frGCEA23147frGCEA123410frGCEA1312
VIE♭ major seventh flat sixth
E♭ - G - B - D
VIIF m7
GCEA1324
4frGCEA22138frGCEA111110frGCEA1322

scale

Ukulele fretboard diagram

G phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the G phrygian dominant scale on ukulele with 15 frets. Notes: B, C, D, Eb, F, G, Ab.BCDEbFGAbBCFGAbBCDEbFGCDEbFGAbBCDEbGAbBCDEbFGAb13579111213

G phrygian dominant scale — ukulele chords and intervals

The harmonized G phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from G phrygian dominant are G major, Ab major, B diminished, C minor, D diminished, Eb augmented, F minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The G phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: G major, Ab major, B diminished, C minor, D diminished, Eb augmented, F minor.

DegreesChord
IG major
iiAb major
iiiB diminished
IVC minor
VD diminished
viEb augmented
vii°F minor

Degree-by-Degree Analysis

The I chord (G major) is the tonic — the gravitational center of the key. The ii chord (Ab major) is the minor subdominant, commonly used to approach the V chord. The iii chord (B diminished) functions as a substitute for the I or vi. The IV chord (C minor) is the subdominant — it adds motion and moderate tension. The V chord (D diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Eb augmented) is the relative minor — it brings emotional color and depth. The vii° chord (F minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View G Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

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