G mixolydian b6 chords

All ukulele chords for the G mixolydian b6 scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G mixolydian b6 scale diatonic chords

IG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
IIA dim
2frGCEA1243
3frGCEA11346frGCEA243111frGCEA4213
IIIB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
IVC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
VD minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
VIE♭ aug
GCEA321
GCEA22313frGCEA11244frGCEA1342
VIIF major
GCEA21
GCEA2135frGCEA11148frGCEA1132

G mixolydian b6 scale seventh chords

IG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112
IIA m7♭5
GCEA1234
5frGCEA11328frGCEA112311frGCEA2314
IIIB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
IVC mmaj7
2frGCEA2241
GCEA11125frGCEA13428frGCEA1132
VD m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324
VIE♭ major seventh flat sixth
E♭ - G - B - D
VIIF 7
GCEA2314
5frGCEA11128frGCEA111210frGCEA1324

scale

Ukulele fretboard diagram

G mixolydian b6 scale — ukulele fretboard diagramInteractive fretboard diagram showing the G mixolydian b6 scale on ukulele with 15 frets. Notes: A, B, C, D, Eb, F, G.ABCDEbFGABCFGABCDEbFGCDEbFGABCDEbGABCDEbFGA13579111213

G mixolydian b6 scale — ukulele chords and intervals

Harmonizing the G mixolydian b6 scale generates a melancholic dominant chord family that bridges major and minor worlds. The chords of G mixolydian b6 are G major, A diminished, B diminished, C minor, D minor, Eb augmented, F major. The dominant tonic chord paired with a minor iv creates emotional transitions between bright and dark sections. This chord family is the harmonic engine behind many film score moments of bittersweet revelation. Commonly used in Jazz, Film Scores, Classical, Melodic Metal. Notable players include Hans Zimmer, Ennio Morricone.

The G mixolydian b6 scale has the following degrees: 1 2 3 4 5 ♭6 ♭7.

Intervals: W-W-H-W-H-W-W.

Diatonic chords: G major, A diminished, B diminished, C minor, D minor, Eb augmented, F major.

DegreesChord
IG major
iiA diminished
iiiB diminished
IVC minor
VD minor
viEb augmented
vii°F major

Degree-by-Degree Analysis

The I chord (G major) is the tonic — the gravitational center of the key. The ii chord (A diminished) is the minor subdominant, commonly used to approach the V chord. The iii chord (B diminished) functions as a substitute for the I or vi. The IV chord (C minor) is the subdominant — it adds motion and moderate tension. The V chord (D minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Eb augmented) is the relative minor — it brings emotional color and depth. The vii° chord (F major) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G mixolydian b6 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G mixolydian b6 scale on ukulele.

mixolydian b6 is the 5th mode of the Melodic Minor scale (Hindu scale). View G Melodic minor scale

Related Scales

How to Use This Scale

Use over dominant 7th chords that resolve to minor (V7 → im). The scale that bridges major happiness and minor sadness.

Explore G mixolydian b6 Further