G melodic minor chords

All ukulele chords for the G melodic minor scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G melodic minor scale diatonic chords

IG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
IIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
IIIB♭ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
IVC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
VD major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
VIE dim
GCEA2431
6frGCEA42139frGCEA124310frGCEA1134
VIIF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243

G melodic minor scale seventh chords

IG mmaj7
GCEA231
3frGCEA11436frGCEA22149frGCEA2241
IIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
IIIB♭ maj7♯5
GCEA312
GCEA23413frGCEA14236frGCEA2314
IVC 7
GCEA1
GCEA11125frGCEA13248frGCEA2314
VD 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
VIE m7♭5
GCEA21
3frGCEA11236frGCEA23149frGCEA1234
VIIF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234

scale

Ukulele fretboard diagram

G melodic minor scale — ukulele fretboard diagramInteractive fretboard diagram showing the G melodic minor scale on ukulele with 15 frets. Notes: A, A#, C, D, E, F#, G.AA#CDEF#GAA#CEF#GAA#CDEF#GCDEF#GAA#CDGAA#CDEF#GAA#13579111213

G melodic minor scale — ukulele chords and intervals

The harmonized G melodic minor scale generates a sophisticated chord family widely used in jazz composition and arranging. Its unique combination of altered chords makes it the go-to source for modern harmonic color. The chords built from G melodic minor are Gm6, Am7, Bb+maj7, C7, D7, Em7b5, F#m7b5. The i-II progression creates a distinctive jazz-minor sound, and the IV7 chord is the basis for the Lydian Dominant sound used in fusion. Many jazz standards exploit these chords for smooth, unexpected voice leading. Commonly used in Jazz, Fusion, Contemporary Classical, Progressive. Notable players include Pat Metheny, John Coltrane, Allan Holdsworth.

The G melodic minor scale has the following degrees: 1 2 ♭3 4 5 6 7.

Intervals: W-H-W-W-W-W-H.

Diatonic chords: Gm6, Am7, Bb+maj7, C7, D7, Em7b5, F#m7b5.

DegreesChord
IGm6
iiAm7
iiiBb+maj7
IVC7
VD7
viEm7b5
vii°F#m7b5

Degree-by-Degree Analysis

The I chord (Gm6) is the tonic — the gravitational center of the key. The ii chord (Am7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Bb+maj7) functions as a substitute for the I or vi. The IV chord (C7) is the subdominant — it adds motion and moderate tension. The V chord (D7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Em7b5) is the relative minor — it brings emotional color and depth. The vii° chord (F#m7b5) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G melodic minor scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G melodic minor scale on ukulele.

Related Scales

How to Use This Scale

Use over m(Maj7), m6 chords. Its modes cover nearly every altered dominant situation in jazz. The 'jazz minor' is the single most important advanced scale system.

Explore G melodic minor Further