G lydian dominant chords

All ukulele chords for the G lydian dominant scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G lydian dominant scale diatonic chords

IG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
IIA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
IIIB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
IVC♯ dim
3frGCEA4213
6frGCEA12437frGCEA113410frGCEA2431
VD minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
VIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
VIIF aug
GCEA312
GCEA11242frGCEA13425frGCEA1124

G lydian dominant scale seventh chords

IG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112
IIA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112
IIIB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
IVC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1132
VD mmaj7
GCEA2214
4frGCEA22415frGCEA11127frGCEA1342
VIE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
VIIF major seventh flat sixth
F - A - C♯ - E

scale

Ukulele fretboard diagram

G lydian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the G lydian dominant scale on ukulele with 15 frets. Notes: A, B, C#, D, E, F, G.ABC#DEFGABEFGABC#DEFGC#DEFGABC#DGABC#DEFGA13579111213

G lydian dominant scale — ukulele chords and intervals

The harmonized G lydian dominant scale produces a bright, quirky chord family centered around a dominant seventh tonic with a raised fourth — the Acoustic chord. The chords from G lydian dominant are G major, A major, B diminished, C# diminished, D minor, E minor, F augmented. The I7-II vamp is the signature Lydian Dominant sound, used in jazz for non-resolving dominant passages. These chords create forward motion without traditional tension, ideal for fusion and progressive jazz. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny.

The G lydian dominant scale has the following degrees: 1 2 3 ♯4 5 6 ♭7.

Intervals: W-W-W-H-W-H-W.

Diatonic chords: G major, A major, B diminished, C# diminished, D minor, E minor, F augmented.

DegreesChord
IG major
iiA major
iiiB diminished
IVC# diminished
VD minor
viE minor
vii°F augmented

Degree-by-Degree Analysis

The I chord (G major) is the tonic — the gravitational center of the key. The ii chord (A major) is the minor subdominant, commonly used to approach the V chord. The iii chord (B diminished) functions as a substitute for the I or vi. The IV chord (C# diminished) is the subdominant — it adds motion and moderate tension. The V chord (D minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E minor) is the relative minor — it brings emotional color and depth. The vii° chord (F augmented) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G lydian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G lydian dominant scale on ukulele.

lydian dominant is the 4th mode of the Melodic Minor scale (Acoustic scale). View G Melodic minor scale

Related Scales

How to Use This Scale

Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.

Explore G lydian dominant Further