G locrian chords

All ukulele chords for the G locrian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G locrian scale diatonic chords

IG dim
GCEA132
GCEA11344frGCEA24319frGCEA4213
IIA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114
IIIB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
IVC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
VC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
VIE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
VIIF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA1113

G locrian scale seventh chords

IG m7♭5
GCEA123
3frGCEA11326frGCEA11239frGCEA2314
IIA♭ maj7
GCEA1234
4frGCEA24138frGCEA111310frGCEA4321
IIIB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213
IVC m7
GCEA1111
5frGCEA22138frGCEA132411frGCEA2213
VC♯ maj7
GCEA1113
4frGCEA11233frGCEA43216frGCEA1234
VIE♭ 7
GCEA1112
6frGCEA11128frGCEA132411frGCEA2314
VIIF m7
GCEA1324
4frGCEA22138frGCEA111110frGCEA2213

scale

Ukulele fretboard diagram

G locrian scale — ukulele fretboard diagramInteractive fretboard diagram showing the G locrian scale on ukulele with 15 frets. Notes: Bb, C, Db, Eb, F, G, Ab.BbCDbEbFGAbBbCFGAbBbCDbEbFGCDbEbFGAbBbCDbEbGAbBbCDbEbFGAbBb13579111213

G locrian scale — ukulele chords and intervals

The harmonized G locrian scale generates the most unstable chord family of all the modes, with a diminished tonic chord that provides no sense of rest. This makes Locrian harmony a specialized tool for creating extreme tension. The chords of G locrian are Gm7b5, AbMaj7, Bbm7, Cm7, DbMaj7, Eb7, Fm7. In practice, Locrian chords are used over half-diminished passages in jazz rather than as a standalone key. The i°-bII movement creates a restless, searching quality useful for transitional sections and building suspense. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater.

The G locrian scale has the following degrees: 1 ♭2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: H-W-W-H-W-W-W.

Diatonic chords: Gm7b5, AbMaj7, Bbm7, Cm7, DbMaj7, Eb7, Fm7.

DegreesChord
IGm7b5
iiAbMaj7
iiiBbm7
IVCm7
VDbMaj7
viEb7
vii°Fm7

Degree-by-Degree Analysis

The I chord (Gm7b5) is the tonic — the gravitational center of the key. The ii chord (AbMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Bbm7) functions as a substitute for the I or vi. The IV chord (Cm7) is the subdominant — it adds motion and moderate tension. The V chord (DbMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Eb7) is the relative minor — it brings emotional color and depth. The vii° chord (Fm7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G locrian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G locrian scale on ukulele.

locrian is the 7th mode of the Major scale. View G Major scale

Related Scales

How to Use This Scale

Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.

Explore G locrian Further