G locrian #2 chords

All ukulele chords for the G locrian #2 scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G locrian #2 scale diatonic chords

IG dim
GCEA132
GCEA11344frGCEA24319frGCEA4213
IIA dim
2frGCEA1243
3frGCEA11346frGCEA243111frGCEA4213
IIIB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
IVC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
VC♯ aug
GCEA312
GCEA11242frGCEA13424frGCEA4231
VIE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
VIIF major
GCEA21
GCEA2135frGCEA11148frGCEA1132

G locrian #2 scale seventh chords

IG m7♭5
GCEA123
3frGCEA11326frGCEA11239frGCEA2314
IIA m7♭5
GCEA1234
5frGCEA11328frGCEA112311frGCEA2314
IIIB♭ mmaj7
GCEA312
GCEA11123frGCEA13426frGCEA1143
IVC m7
GCEA1111
5frGCEA22138frGCEA132411frGCEA2213
VC♯ major seventh flat sixth
D♭ - F - A - C
VIE♭ 7
GCEA1112
6frGCEA11128frGCEA132411frGCEA2314
VIIF 7
GCEA2314
5frGCEA11128frGCEA111210frGCEA1324

scale

Ukulele fretboard diagram

G locrian #2 scale — ukulele fretboard diagramInteractive fretboard diagram showing the G locrian #2 scale on ukulele with 15 frets. Notes: A, Bb, C, Db, Eb, F, G.ABbCDbEbFGABbCFGABbCDbEbFGCDbEbFGABbCDbEbGABbCDbEbFGABb13579111213

G locrian #2 scale — ukulele chords and intervals

The harmonized G locrian #2 scale produces a more melodic half-diminished chord family, with a natural second degree that enables smoother voice leading than standard Locrian. The chords from G locrian #2 are G diminished, A diminished, Bb minor, C minor, Db augmented, Eb major, F major. Jazz musicians prefer these chords for ii-V-i progressions in minor keys. The natural 2 allows for more singable melodic lines over the half-diminished chord, making this the standard choice for minor ii-V resolution. Commonly used in Jazz, Post-Bop, Contemporary. Notable players include John Coltrane, Woody Shaw, Steve Coleman.

The G locrian #2 scale has the following degrees: 1 2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: W-H-W-H-W-W-W.

Diatonic chords: G diminished, A diminished, Bb minor, C minor, Db augmented, Eb major, F major.

DegreesChord
IG diminished
iiA diminished
iiiBb minor
IVC minor
VDb augmented
viEb major
vii°F major

Degree-by-Degree Analysis

The I chord (G diminished) is the tonic — the gravitational center of the key. The ii chord (A diminished) is the minor subdominant, commonly used to approach the V chord. The iii chord (Bb minor) functions as a substitute for the I or vi. The IV chord (C minor) is the subdominant — it adds motion and moderate tension. The V chord (Db augmented) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Eb major) is the relative minor — it brings emotional color and depth. The vii° chord (F major) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G locrian #2 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G locrian #2 scale on ukulele.

locrian #2 is the 6th mode of the Melodic Minor scale. View G Melodic minor scale

Related Scales

How to Use This Scale

Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).

Explore G locrian #2 Further