G leading whole tone chords

All ukulele chords for the G leading whole tone scale

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Harmony
Originalii–V–ISec. Dom.

G leading whole tone scale diatonic chords

IG aug
GCEA231
GCEA22313frGCEA11244frGCEA1342
IIA aug
GCEA312
GCEA11242frGCEA13425frGCEA1124
IIIB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
IVC♯ unknown
C♯ - F - G
VE♭ dim
GCEA132
5frGCEA42138frGCEA12439frGCEA1134
VIG unknown
F - G - B
VIIF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113

G leading whole tone scale seventh chords

IG major seventh flat sixth
G - B - D♯ - F♯
IIA unknown
A - C♯ - F - G
IIIB 7
GCEA1112
4frGCEA13247frGCEA231411frGCEA1112
IVC♯ unknown
C♯ - F - G - B
VE♭ m7♭5
GCEA1123
5frGCEA23148frGCEA123411frGCEA1132
VIE♭ unknown
F - G - B - D♯
VIIF♯ mmaj7
2frGCEA1143
5frGCEA22148frGCEA22419frGCEA1112

scale

Ukulele fretboard diagram

G leading whole tone scale — ukulele fretboard diagramInteractive fretboard diagram showing the G leading whole tone scale on ukulele with 15 frets. Notes: A, B, C#, D#, F, F#, G.ABC#D#FF#GABFF#GABC#D#FF#GC#D#FF#GABC#D#GABC#D#FF#GA13579111213

G leading whole tone scale — ukulele chords and intervals

The harmonized G leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from G leading whole tone are G augmented, A augmented, B major, C# unknown, D# diminished, G unknown, F# minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The G leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: G augmented, A augmented, B major, C# unknown, D# diminished, G unknown, F# minor.

DegreesChord
IG augmented
iiA augmented
iiiB major
IVC# unknown
VD# diminished
viG unknown
vii°F# minor

Degree-by-Degree Analysis

The I chord (G augmented) is the tonic — the gravitational center of the key. The ii chord (A augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (B major) functions as a substitute for the I or vi. The IV chord (C# unknown) is the subdominant — it adds motion and moderate tension. The V chord (D# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G unknown) is the relative minor — it brings emotional color and depth. The vii° chord (F# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G leading whole tone scale on ukulele.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore G leading whole tone Further