G ionian chords

All ukulele chords for the G ionian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G ionian scale diatonic chords

IG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
IIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
IIIB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
IVC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
VD major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
VIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
VIIF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243

G ionian scale seventh chords

IG maj7
GCEA123
3frGCEA24137frGCEA11139frGCEA4321
IIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
IIIB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213
IVC maj7
GCEA2
2frGCEA4321GCEA11235frGCEA1234
VD 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
VIE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
VIIF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234

scale

Ukulele fretboard diagram

G ionian scale — ukulele fretboard diagramInteractive fretboard diagram showing the G ionian scale on ukulele with 15 frets. Notes: A, B, C, D, E, F#, G.ABCDEF#GABCEF#GABCDEF#GCDEF#GABCDGABCDEF#GA13579111213

G ionian scale — ukulele chords and intervals

The harmonized G ionian scale produces the same chord family as the major scale, forming the reference point for all diatonic harmony. Every chord built from this mode occupies a clear functional role: tonic, subdominant, or dominant. The diatonic chords of G ionian are GMaj7, Am7, Bm7, CMaj7, D7, Em7, F#m7b5. The I-vi-IV-V turnaround is a classic pop foundation, while the I-iii-vi-ii-V chain creates elegant descending-fifth motion ideal for standards and ballads. Commonly used in Pop, Classical, Folk, Country. Notable players include The Beatles, Bob Dylan, James Taylor.

The G ionian scale has the following degrees: 1 2 3 4 5 6 7.

Intervals: W-W-H-W-W-W-H.

Diatonic chords: GMaj7, Am7, Bm7, CMaj7, D7, Em7, F#m7b5.

DegreesChord
IGMaj7
iiAm7
iiiBm7
IVCMaj7
VD7
viEm7
vii°F#m7b5

Degree-by-Degree Analysis

The I chord (GMaj7) is the tonic — the gravitational center of the key. The ii chord (Am7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Bm7) functions as a substitute for the I or vi. The IV chord (CMaj7) is the subdominant — it adds motion and moderate tension. The V chord (D7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Em7) is the relative minor — it brings emotional color and depth. The vii° chord (F#m7b5) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G ionian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G ionian scale on ukulele.

ionian is the 1st mode of the Major scale. View G Major scale

Related Scales

How to Use This Scale

Use over Maj7, Maj9, major triads. The default safe choice for any major-key context.

Explore G ionian Further