G altered chords

All ukulele chords for the G altered scale

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Harmony
Originalii–V–ISec. Dom.
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G altered scale diatonic chords

IG dim
GCEA132
GCEA31414frGCEA24319frGCEA4213
IIA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
IIIB♭ minor
GCEA3111
GCEA31143frGCEA13424frGCEA3241
IVB aug
GCEA231
GCEA32213frGCEA21144frGCEA1342
VC♯ major
GCEA1114
4frGCEA32116frGCEA12438frGCEA3121
VIE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA3211
VIIF dim
2frGCEA2431
7frGCEA421310frGCEA124311frGCEA3141

G altered scale seventh chords

IG m7♭5
GCEA123
3frGCEA13126frGCEA12139frGCEA2314
IIA♭ mmaj7
GCEA1342
4frGCEA14137frGCEA221410frGCEA4221
IIIB♭ m7
GCEA1111
3frGCEA13226frGCEA13249frGCEA2213
IVB major seventh flat sixth
B - E♭ - G - A♯
VC♯ 7
GCEA1112
4frGCEA12116frGCEA13249frGCEA2314
VIE♭ 7
GCEA1112
6frGCEA12118frGCEA132411frGCEA2314
VIIF m7♭5
GCEA1312
4frGCEA12137frGCEA231410frGCEA1234

scale

Ukulele fretboard diagram

G altered scale — ukulele fretboard diagramInteractive fretboard diagram showing the G altered scale on ukulele with 15 frets. Notes: A#, B, C#, D#, F, G, G#.A#BC#D#FGG#A#BFGG#A#BC#D#FGC#D#FGG#A#BC#D#GG#A#BC#D#FGG#A#13579111213

G altered scale — ukulele chords and intervals

Harmonizing the G altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of G altered are G diminished, Ab minor, A# minor, B augmented, C# major, Eb major, F diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The G altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: G diminished, Ab minor, A# minor, B augmented, C# major, Eb major, F diminished.

DegreesChord
IG diminished
iiAb minor
iiiA# minor
IVB augmented
VC# major
viEb major
vii°F diminished

Degree-by-Degree Analysis

The I chord (G diminished) is the tonic — the gravitational center of the key. The ii chord (Ab minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (A# minor) functions as a substitute for the I or vi. The IV chord (B augmented) is the subdominant — it adds motion and moderate tension. The V chord (C# major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Eb major) is the relative minor — it brings emotional color and depth. The vii° chord (F diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G altered scale on ukulele.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View G Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

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