F# phrygian chords

All ukulele chords for the F# phrygian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F♯ phrygian scale diatonic chords

IF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113
IIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
IIIA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
IVB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
VC♯ dim
3frGCEA4213
6frGCEA12437frGCEA113410frGCEA2431
VID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
VIIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113

F♯ phrygian scale seventh chords

IF♯ m7
GCEA1324
5frGCEA22139frGCEA111111frGCEA2213
IIG maj7
GCEA123
3frGCEA24137frGCEA11139frGCEA4321
IIIA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112
IVB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213
VC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1132
VID maj7
GCEA1113
4frGCEA43215frGCEA11237frGCEA1234
VIIE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213

scale

Ukulele fretboard diagram

F# phrygian scale — ukulele fretboard diagramInteractive fretboard diagram showing the F# phrygian scale on ukulele with 15 frets. Notes: A, B, C#, D, E, F#, G.ABC#DEF#GABEF#GABC#DEF#GC#DEF#GABC#DGABC#DEF#GA13579111213

F# phrygian scale — ukulele chords and intervals

The harmonized F# phrygian scale creates a dark, brooding chord family defined by the bII major chord a half step above the tonic. This unique neighbor chord is the harmonic signature of Phrygian music. The chords of F# phrygian are F#m7, GMaj7, A7, Bm7, C#m7b5, DMaj7, Em7. The i-bII oscillation is the foundation of Flamenco and metal's Phrygian sound. Use the bVII as a power chord passing tone and the bVI for dramatic descending bass lines. The overall chord family conveys tension, gravity, and dark passion. Commonly used in Flamenco, Metal, Djent, Middle Eastern. Notable players include Al Di Meola, Metallica, Meshuggah, Paco de Lucia.

The F# phrygian scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 ♭7.

Intervals: H-W-W-W-H-W-W.

Diatonic chords: F#m7, GMaj7, A7, Bm7, C#m7b5, DMaj7, Em7.

DegreesChord
IF#m7
iiGMaj7
iiiA7
IVBm7
VC#m7b5
viDMaj7
vii°Em7

Degree-by-Degree Analysis

The I chord (F#m7) is the tonic — the gravitational center of the key. The ii chord (GMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (A7) functions as a substitute for the I or vi. The IV chord (Bm7) is the subdominant — it adds motion and moderate tension. The V chord (C#m7b5) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (DMaj7) is the relative minor — it brings emotional color and depth. The vii° chord (Em7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F# phrygian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F# phrygian scale on ukulele.

phrygian is the 3rd mode of the Major scale. View F# Major scale

Related Scales

How to Use This Scale

Use over sus(b9), m7 chords in Phrygian contexts. Often played over a droning root note or power chord. The b2 → 1 resolution is the mode's signature move.

Explore F# phrygian Further