F# phrygian dominant chords

All ukulele chords for the F# phrygian dominant scale

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Harmony
Originalii–V–ISec. Dom.
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F♯ phrygian dominant scale diatonic chords

IF♯ major
GCEA3121
GCEA31246frGCEA11149frGCEA3211
IIG major
GCEA132
GCEA31212frGCEA31247frGCEA1114
IIIB♭ dim
GCEA312
3frGCEA12434frGCEA31417frGCEA2431
IVB minor
GCEA3111
2frGCEA31144frGCEA13425frGCEA3241
VC♯ dim
3frGCEA4213
6frGCEA12437frGCEA314110frGCEA2431
VID aug
GCEA3221
2frGCEA21143frGCEA13426frGCEA2114
VIIE minor
GCEA321
GCEA34214frGCEA12347frGCEA3111

F♯ phrygian dominant scale seventh chords

IF♯ 7
GCEA2314
6frGCEA11129frGCEA121111frGCEA1324
IIG maj7
GCEA123
3frGCEA24137frGCEA11139frGCEA4321
IIIB♭ dim7
GCEA12
GCEA13246frGCEA13249frGCEA1324
IVB mmaj7
GCEA4221
GCEA21114frGCEA13427frGCEA1413
VC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1312
VID major seventh flat sixth
D - F♯ - A♯ - C♯
VIIE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA1322

scale

Ukulele fretboard diagram

F# phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the F# phrygian dominant scale on ukulele with 15 frets. Notes: A#, B, C#, D, E, F#, G.A#BC#DEF#GA#BEF#GA#BC#DEF#GC#DEF#GA#BC#DGA#BC#DEF#GA#13579111213

F# phrygian dominant scale — ukulele chords and intervals

The harmonized F# phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from F# phrygian dominant are F# major, G major, A# diminished, B minor, C# diminished, D augmented, E minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The F# phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: F# major, G major, A# diminished, B minor, C# diminished, D augmented, E minor.

DegreesChord
IF# major
iiG major
iiiA# diminished
IVB minor
VC# diminished
viD augmented
vii°E minor

Degree-by-Degree Analysis

The I chord (F# major) is the tonic — the gravitational center of the key. The ii chord (G major) is the minor subdominant, commonly used to approach the V chord. The iii chord (A# diminished) functions as a substitute for the I or vi. The IV chord (B minor) is the subdominant — it adds motion and moderate tension. The V chord (C# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D augmented) is the relative minor — it brings emotional color and depth. The vii° chord (E minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F# phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F# phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View F# Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Explore F# phrygian dominant Further