F# oriental chords

All ukulele chords for the F# oriental scale

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Harmony
Originalii–V–ISec. Dom.
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F♯ oriental scale diatonic chords

IF♯ unknown
F♯ - A♯ - C
IIG aug
GCEA231
GCEA32213frGCEA21144frGCEA1342
IIIC unknown
A♯ - C - E
IVB major
GCEA3211
4frGCEA12436frGCEA312111frGCEA1114
VC major
GCEA3
GCEA2113frGCEA32115frGCEA1243
VIE♭ minor
GCEA3421
3frGCEA13336frGCEA31116frGCEA3114
VIIE minor
GCEA321
GCEA34214frGCEA12347frGCEA3111

F♯ oriental scale seventh chords

IF♯ unknown
F♯ - A♯ - C - E
IIG major seventh flat sixth
G - B - D♯ - F♯
IIIC 7
GCEA1
GCEA12115frGCEA13248frGCEA2314
IVB maj7
GCEA4321
GCEA23114frGCEA12347frGCEA2413
VC maj7
GCEA2
2frGCEA4321GCEA23115frGCEA1234
VIE♭ m6
GCEA2314
5frGCEA12348frGCEA131211frGCEA1213
VIIE mmaj7
GCEA21
3frGCEA22146frGCEA42217frGCEA2111

scale

Ukulele fretboard diagram

F# oriental scale — ukulele fretboard diagramInteractive fretboard diagram showing the F# oriental scale on ukulele with 15 frets. Notes: A#, B, C, D#, E, F#, G.A#BCD#EF#GA#BCEF#GA#BCD#EF#GCD#EF#GA#BCD#GA#BCD#EF#GA#13579111213

F# oriental scale — ukulele chords and intervals

The harmonized F# oriental scale generates an aggressive, dissonant chord family designed to create tension and unease. The chords from F# oriental are F# unknown, G augmented, C unknown, B major, C major, D# minor, E minor. Film and television composers use these chords to signal danger and ancient mystery. The harsh harmonic intervals create a sense of foreboding that is difficult to achieve with more common chord families. Commonly used in Film Scores, Metal, Experimental. Notable players include Hans Zimmer, John Williams.

The F# oriental scale has the following degrees: 1 ♭2 3 4 ♭5 6 ♭7.

Intervals: H-3H-H-H-3H-H-W.

Diatonic chords: F# unknown, G augmented, C unknown, B major, C major, D# minor, E minor.

DegreesChord
IF# unknown
iiG augmented
iiiC unknown
IVB major
VC major
viD# minor
vii°E minor

Degree-by-Degree Analysis

The I chord (F# unknown) is the tonic — the gravitational center of the key. The ii chord (G augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (C unknown) functions as a substitute for the I or vi. The IV chord (B major) is the subdominant — it adds motion and moderate tension. The V chord (C major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D# minor) is the relative minor — it brings emotional color and depth. The vii° chord (E minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F# oriental scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F# oriental scale on ukulele.

Related Scales

How to Use This Scale

Use over sustained bass notes or pedal tones. Best in dramatic, cinematic contexts rather than over standard chord changes.

Explore F# oriental Further