F# locrian chords

All ukulele chords for the F# locrian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F♯ locrian scale diatonic chords

IF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
IIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
IIIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
IVB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
VC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
VID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
VIIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113

F♯ locrian scale seventh chords

IF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234
IIG maj7
GCEA123
3frGCEA24137frGCEA11139frGCEA4321
IIIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213
IVB m7
GCEA1111
4frGCEA22137frGCEA132410frGCEA2213
VC maj7
GCEA2
2frGCEA4321GCEA11235frGCEA1234
VID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
VIIE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213

scale

Ukulele fretboard diagram

F# locrian scale — ukulele fretboard diagramInteractive fretboard diagram showing the F# locrian scale on ukulele with 15 frets. Notes: A, B, C, D, E, F#, G.ABCDEF#GABCEF#GABCDEF#GCDEF#GABCDGABCDEF#GA13579111213

F# locrian scale — ukulele chords and intervals

The harmonized F# locrian scale generates the most unstable chord family of all the modes, with a diminished tonic chord that provides no sense of rest. This makes Locrian harmony a specialized tool for creating extreme tension. The chords of F# locrian are F#m7b5, GMaj7, Am7, Bm7, CMaj7, D7, Em7. In practice, Locrian chords are used over half-diminished passages in jazz rather than as a standalone key. The i°-bII movement creates a restless, searching quality useful for transitional sections and building suspense. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater.

The F# locrian scale has the following degrees: 1 ♭2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: H-W-W-H-W-W-W.

Diatonic chords: F#m7b5, GMaj7, Am7, Bm7, CMaj7, D7, Em7.

DegreesChord
IF#m7b5
iiGMaj7
iiiAm7
IVBm7
VCMaj7
viD7
vii°Em7

Degree-by-Degree Analysis

The I chord (F#m7b5) is the tonic — the gravitational center of the key. The ii chord (GMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Am7) functions as a substitute for the I or vi. The IV chord (Bm7) is the subdominant — it adds motion and moderate tension. The V chord (CMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D7) is the relative minor — it brings emotional color and depth. The vii° chord (Em7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F# locrian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F# locrian scale on ukulele.

locrian is the 7th mode of the Major scale. View F# Major scale

Related Scales

How to Use This Scale

Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.

Explore F# locrian Further